Chapter One: A Heart's Journey to Forgiveness by Terese Luikens

 


Title: A Heart’s Journey to Forgiveness

Author: Terese Luikens

Publisher: Redemption Press

Publication Date: November 3, 2022

Pages: 282

Genre: Memoir

For Terese Luikens, a picture-perfect childhood it was not. Frequent cross country moves, an emotionally absent mother and an alcoholic father who ends his life by suicide when Terese is just thirteen years old. 

The sixth of seven children, Terese grew up in an unstable and chaotic household–invisible to her mom yet cherished by her father. 

This heartfelt memoir documents the chain reaction of a tumultuous family history. From her stormy childhood to the far-reaching effects of her father’s suicide, Terese shares her inspiring journey to escape the shame of her past, find healing and live, learn to trust, and discover faith in a real and personal God.  

A Heart’s Journey to Forgiveness is available at Amazon.

Chapter 1 

[Mark] what is one of your favorite memories of Dad? 

Do you remember how Dad fell through the ceiling when he was up in the attic?

Wasn’t that at 3848 Randolph Street?

I remember how I couldn’t stop laughing. One of his legs just dangled from the ceiling.

Ella, quit laughing.

I can’t help it.

When I was growing up during the 1950s and 1960s, magazine illustrator, Norman Rockwell depicted how he envisioned the American life should look, while Ozzie and Harriet showed us on television how the American family lived, albeit in black-and-white. From the outside, that ordinary green stucco house in Lincoln, Nebraska, looked as if it would contain a Norman Rockwell- or Ozzie and Harriet-type family. But neither of those idealized images reflected my stormy family life.

During my childhood years, Catholics married Catholics and produced large families. Mom and Dad, both Catholics, married in 1946, and Mom conceived seven children over a span of thirteen years. The only acceptable birth control available to my parents was abstinence, a method my father did not prefer, even though I think he was more devout about his religion than my mother. Mom referred to me as Number Six, as though it were my name.

I was more fond of my father than my mom, more devoted to him than to her. Dad, not Mom, came into my room at night to read bedtime stories. He’d lie down on our white shag rug in the middle of the bedroom that I shared with my three sisters and ask, “Does anyone want me to read them a story?”

I always kicked my blankets off and crawled out of my bottom bunk. Then I’d lay down next to him, close enough to breathe in the smells of his day: Old Spice from his early morning shave, and sweat mingled with the smell of grease from his job as a restaurant manager.

Whether any of my sisters joined us on the floor, I don’t recall. But I do remember how Dad’s deep voice made Prince Charming and the seven dwarves come alive for me.

On Sunday nights, when our whole family gathered in the living room after dinner to watch The Ed Sullivan Show, Dad got down on the floor and pretended to be a park bench on a windy beach. Taking turns with Bruce and Mark, I perched on his hip while he told the story.

“It was a windy day on the beach when a little girl sat down on a bench. The wind blew harder and harder until the bench tipped over and the little girl fell off into the ocean.”

Even though I knew the story by heart, rolling on his hip gave me a thrill. Falling into the imaginary ocean with Dad tickling my bare feet, I howled with laughter.

After dinner on summer nights, Dad went outside to the front-porch swing to smoke a cigarette, and I’d climb into his lap.

He always asked, “Would you like me to blow smoke rings?” Then I’d lean back against his chest and watch the rings appear one after another and float away.

Sometimes a Midwest thunderstorm rolled in, but we stayed put on the swing, under the shelter of the porch roof. As the air chilled and the leaves rustled in the breeze, Dad tightened his arms around me and pressed his chin on top of my head as if to say, “It is safe to stay here with me.”

Then we watched the performance together. The dusky evening turned black, lit by flashes of lightning for seconds at a time. Next came the low rumble of thunder that sounded as though God was rolling a giant bowling ball across the floor of heaven. The boom that followed, a strike, always made me jump. Finally, splats of rain hit the porch roof and sidewalk, slow at first and then with increasing volume and velocity.

The storm’s intensity never lasted long before moving on to the next county. Then the air warmed again, dusk returned, and the melodic chirp of crickets replaced the thunder.

In my mind, these warm childhood memories include only my dad, never my mom. One photo from that era, snapped by an older sibling using Mom’s Instamatic camera, seems to capture our family dynamic. We are in the living room of the house that had the front-porch swing. I might be around four years old. My hair is cut short, pixie style, and I am wearing a long-sleeved, cotton-ribbed bathrobe. Dad, kneeling, wears a suit coat and a bowler hat. His hands are clasped behind my back and mine are hooked around his neck. Smiling, cheek-to-cheek, we face the camera.

Dad and I are in the center of the photo while Mom is in the lower left hand corner. She is sitting in a chair, and wears a plaid skirt and a turtleneck sweater. Her passive face is turned toward the camera.

That snapshot captures my life: Dad at the center and Mom on the perimeter. 

About the Author:

Terese Luikens has been married for forty-four years to the same man, although she is on her third wedding ring, having lost one and worn out another. She lives in Sandpoint, Idaho, enjoys being mother to three grown sons and grandmother to her much-loved grandchildren. She is the author of A Heart’s Journey to Forgiveness, a Memoir of her inspiring journey of emotional healing from her father’s suicide. She facilitates retreats and workshops focusing on forgiveness, and publishes her own blog, Why Bother? 

You can visit her website at www.tereseluikens.com.

Chapter One: An Exploratory Study of GPT-4o Poetry 2024 by Deborah Levin


Title: An Exploratory Study of GPT-4o Poetry 2024
Author: Deborah Levin
Publisher: Allenjo Publishing, LLC
Publication Date: May 6, 2024
Pages: 226
Genre: Nonfiction

Discover the creative abilities and constraints of artificial intelligence with “An Exploratory Study of GPT-4o Poetry 2024.” This groundbreaking study examines the creative capabilities and limitations of GPT-4o, an advanced AI model that mirrors human expressiveness. Drawing on the insights of the latest research, this book explores whether AI can truly replicate the depth and nuance of human creativity in poetry.

From structured sonnets to open-ended free verse, poetry is a profound literary form that captures the essence of human emotions and experiences. But can an AI model like GPT-4o generate verses with human authenticity? Through a qualitative exploration of AI behavior in creative contexts, this study examines the model’s ability to create original, non-plagiarized work and its tendency to rely on specific terminology or phrases.

Key Questions Explored:

  • Can GPT-4o produce poetic expressions equivalent to human creativity?
  • What refinements in capability does GPT-4o encompass beyond its older counterparts?
  • Does GPT-4o exhibit over-reliance on specific terminology or phrases?
  • Are the poetic outputs from GPT-4o indistinguishable from human-created poetry?
  • How does GPT-4o handle the complexities of creative context generation?

In this study, you will also find:

  • Examples of AI-generated poetry that showcase GPT-4o’s creative potential.
  • Insights into the model’s unique approach to literary expression.
  • Evaluation of plagiarized content and poetry generation speed.

An Exploratory Study of GPT-4o Poetry 2024 is an essential read for anyone interested in the future of AI and its role in human culture. Whether you are a poetry enthusiast, a tech aficionado, or simply curious about the capabilities of modern AI, this book offers unique insights and thought-provoking analyses. Don’t miss out on this opportunity to explore the cutting-edge of AI-driven creativity—get your copy today!

An Exploratory Study of GPT-4o Poetry 2024 is available at Amazon.

 First Chapter:

This independent exploratory study aims to understand GPT-4o’s capabilities and limitations related to creative poetic expression. Poetry encompasses creative literary representations in structured and open-ended formats. Expressions of feeling are arranged in verses or comparable language patterns (Oxford, 2024). Can GPT-4o produce poetic expressions equivalent to human creativity?

GPT stands for generative pre-trained transformer. The number four in the model’s name represents the fourth generation of this model, created by OpenAI. The “o” is short for “omni,” which is defined as “combining all.” 

GPT-4o is a multi-modal large language model (LLM) based on artificial intelligence (AI). AI uses data and algorithms through machine learning to imitate how humans learn. A subset of machine learning, known as Deep Learning, uses multi-layered deep neural networks to simulate the decision-making complexities of the human brain. This learning enables the model to increase the accuracy or predictions over time. Examples of AI-based technology include digital assistants, global positioning systems, and self-driving vehicles. Companies use AI strategies to automate tasks of lower complexity and bolster predictive modeling performance. (IBM, 2024)

Critics of AI believe it cannot replicate human creativity. The development of quality literary contribution requires personal collaboration. AI cannot critically analyze its outputs and cannot produce engaging content. Although technically accurate, the absence of emotional intelligence and empathy makes AI-generated creative content lackluster. Additionally, AI struggles with context and tone. (Burn, 2023)

Additional criticisms of AI, beyond an absence of creativity and emotion, include limitations due to data dependency and bias. Machine learning algorithms pull data from information across digital technologies. The quality of data inputs, including biased information, directly affects the outputs generated by AI. There may be over-reliance on source information if machine learning deems other sources less relevant. In some instances, AI can magnify biases, resulting in discriminatory content. Data inputs of misinformation or propaganda further exacerbate bias by developing aggregated content perceived as accurate and relevant. (AIContenfy, 2023)

Ethical concerns, including copyright infringement and plagiarism, present significant implications for authors, students and educators. The evolution of AI enables this LLM to mimic human conversations and create human-like content. The United States Copyright Office does not currently offer protection to literary work unless it is made or heavily edited by humans. This human-created requirement also encompasses protection for art and other media. Information contributors extend ethical concerns as AI may or may not ask contributors for permission before including their content in machine learning models. (Lane 2024) 

Regardless of copyright protection, AI-generated content encourages human laziness through over-reliance on technology tools to produce content. The challenge of generating original creative thought is relegated to merely creating the right prompt to tell AI the type of output desired. This presents a significant challenge to educators as they strive to develop student intellect, encourage critical thinking, and realize the full human experience. 

The GPT-4o model was trained using an extensive dataset, including internet text, books, articles, websites, and other electronic information. This data included information created up to September 2021. However, refinements enabled the model to include some knowledge as recent as early 2023. Therefore, new outputs created are based on relevant data from 1-2 years ago. This model began its rollout for general use in 2024 with enhanced voice, vision and text modality. (OpenAI, 2024)

Criticisms of AI were based on previous models. What refinements in capability does GPT-4o encompass beyond its older counterparts? Qualitatively exploring AI behavior’s complexities relative to creative context generation will reveal its capabilities. Is this new model capable of creating original, non-plagiarized work? Does the model exhibit over-reliance on specific terminology or phrases? Do poetic outputs from this model seem human?

The researcher began this study by obtaining Certified ChatGPT Expert and Certified Prompt Engineer training through the BlockChain Council (https://www.blockchain-council.org/). Criteria for the scope of the study were identified based on prompted outputs from the GPT-4o model:

  • Please list fifteen types of poetry formats alphabetically and define each type. Please include in-text citations in APA 7th Edition. At the end of your list, please provide references used to answer this prompt, formatted in APA 7th edition and put the references in alphabetical order.
  • Please list the most popular subjects of poetry, provide a definition of each subject. Please include in-text citations in APA 7th Edition. At the end of your list, please provide references used to answer this prompt, formatted in APA 7th edition and put the references in alphabetical order.

The researcher used a 1,000 Mbps fiber optic internet connection, which affected the speed at which poetry outputs were generated. The examiner subscribed to the ChatGPT Plus plan, which allowed access to GPT-4o’s advanced data analysis features. Additionally, the researcher subscribed to Grammarly Premium to access the plagiarism screening features of the writing assistant. 

A duly noted limitation of the study is the researcher’s inexperience with prompt development, paired with very limited interaction with the new GPT-4o model. Another limitation is the internet speed available at the time of the study. A future extension of this research could entail a refined replication of this study based on a broader scope of expertise. The raw poetry data sets were generated on May 16th and 17th, 2024. The responses to similar prompts may vary as the model’s application expands. 

The fifteen types of poetry identified by the model included acrostic, ballad, cinquain, elegy, epic, free verse, ghazal, haiku, limerick, ode, pantoum, sestina, sonnet, tanka and villanelle. GPT-4o identified ten popular poetry subjects: love, nature, death and mortality, war and conflict, identity and self, spirituality and religion, social and political issues, friendship and family, beauty and art, and everyday life experiences. The researcher created a prompt to generate a poem of each type and subject:

“Please write a(n) original [TYPE] poem about [SUBJECT]. Give the poem a short title that captures the essence of its content. At the end of your [TYPE] poem, please provide references used to create the poem, formatted in APA 7th edition in alphabetical order.”

In addition to the ten subjects, the researcher asked the model to create a poem of each type for “author Audrey K Andado.” At the time of this study, this pen name (used with the author’s permission) was associated with one book published in 2024, which is beyond the model’s learning threshold. This request was added to understand better how GPT-4o creates personalized poetry outputs. 

Using this prompt, the model produced 165 poetry outputs. Each poem was generated in less than 30 seconds. The poetry outputs were evaluated for originality using Grammarly’s Plagiarism Checker. Detected plagiarism was zero, with one exception:

Free Verse poem on War and Conflict: The Scars of Conflict, line 11 “the cries of the wounded, the silence of the fallen” (Fleming, 2018)

The “(Fleming, 2018)” reference was added next to the line of poetry in the raw data set. The prompt used to generate each poem instructed GPT-4o to include references beneath each poem. When references were cited below poetic output, the model repeatedly used the same references for different poems. As the session continued, most poems included this statement under references: “None. This [TYPE] poem is an original creation”, confirming this model can generate original creative content.

Subjective evaluation of the poems confirms that the poetry is technically accurate, according to the definition and criteria for each genre. The researcher prompted GPT-4o to answer the following question: “Throughout our poetry prompt session, you used references to create some of the poetry and did not use references to create other poems. How did you decide to use references for some poems but not for others? “The model’s output indicated the poetry requests were for original work, and it relied on its “internal knowledge and creative capabilities to generate content.” The resulting work was original, not plagiarized, and appeared human.

However, when asked to create personalized output for “author Audrey K Andado,” the model’s poetry output was not as impressive.  To reiterate, this pen name was associated with one book published in 2024, which is beyond the model’s learning threshold. The poetry types were prompted in alphabetical order—the poems created for the first five types referenced characteristics of an author. 

When the model was prompted to create a ghazal poem, it generated the following statement: “I’m not familiar with an author named Audrey K Andado. Could you be referring to a different author? If you provide more information or specify another author, I’d be happy to create a Ghazal poem based on that author.” At this point, the author’s biography was provided to the model. Although not specifically referenced in additional poetry-type prompts, the model’s output included some of the characteristics from the biography. 

Generating 165 poems revealed some word repetition across the output. Additionally, similar analogies were used in poems written within a specific subject type. Overusing these analogies may give educators minor insight into AI-generated poetry, as plagiarism screening is negated.  The raw data set includes the model’s responses to prompts asking which words and analogies were used most frequently and why.

This book mostly includes the raw, unedited output generated in response to each prompt. Outputs related to researcher prompts regarding the considerations behind how poetic outputs were generated are included at the front of the raw data set. Poetic outputs are separated by genre for review, with the subject of the output notated in parentheses next to the titles. 

Implications include humans’ decreased capability to detect AI-generated content. The GPT-4o model is capable of creating original content without plagiarism. This model transcends previous generations in that its creative output appears human. AI-generated poetry cannot be read in isolation, as humans need to increase their awareness of the model’s over-reliance on specific words and analogies. However, this reliance will diminish over time as multi-modal LLMs evolve. 

Additional research is necessary to extend our knowledge on how to use models, such as GPT-4o responsibly to enhance human creativity and contribution instead of stifling it. Researchers interested in extending knowledge on this topic are permitted to use the raw data outputs included in this book in addition to my findings. Meanwhile, enjoy the poetry.

About the Author:

Dr. Deborah Levin is a woman of many talents. She holds degrees in Design, Business Administration, and Leadership. She has multiple technical certifications, ranging from project management to artificial intelligence natural language processing. She has a strong background in project management and continuous improvement. She used her unique combination of creative and analytical skills throughout her decades of experience in corporate manufacturing and transactional environments, in addition to facilitating courses for adult learners and community service leadership. Dr. Levin is passionate about lifelong learning and is a strong supporter of formal education. She believes sharing her learning and experiences with others helps them gain perspective to become better versions of themselves.  She expresses this passion through a down-to-earth, personable writing style often seen in her written work.

Her book, Celebrating Unemployment: How to Avoid Becoming a Crunchy Couch Burrito is available at Amazon.

Visit her website at www.allenjopublishing.com.

Chapter One: Celebrating Unemployment: How to Avoid Becoming a Crunchy Couch Burrito by Deborah E. Levin

 


Title: Celebrating Unemployment: How to Avoid Becoming a Crunchy Couch Burrito by Deborah E. Levin

Author: Deborah E. Levin

Publisher: Allenjo Publishing, LLC

Publication Date: May 6, 2024

Pages: 108

Genre: Nonfiction

Unemployment does not have to suck.

“Celebrating Unemployment: How to Avoid Becoming a Crunchy Couch Burrito” is a book helping people stay positive after losing their job. It shares steps to move forward and find their dream job. It acknowledges being unemployed is depressing and shows ways to feel better and keep going.

What’s included in this book:

  • Survival budgeting tactics
  • Short-term income strategies
  • Resume and cover letter techniques
  • Job search opportunities
  • Interview approaches
  • Changing careers
  • Finding work that makes you happy

Since the author also experienced unemployment, she understands reading about job-related topics can cause worry and anxiety. She writes with empathy, giving useful advice on dealing with unemployment and offering practical ways to overcome personal challenges. By dealing with these issues directly, you gain the knowledge and build the positive attitude needed to change problems into opportunities for a better future.

This book also shares insights about taking care of yourself and staying strong mentally. Overall, it’s a guide to help people turn job loss into a chance for something better.

Celebrating Unemployment: How to Avoid Becoming a Crunchy Couch Burrito is available at Amazon.

 First Chapter:

The Blanket Burrito

“Your job has been eliminated.” Those words echoed through my brain, rattling me out of my comfort zone. I worked so hard, was innovative, and maintained a positive attitude. My work made a difference. How can a company I was loyal to for a decade scrape me off like gum on the bottom of someone’s shoe? What do I do now?

Before I allowed myself time to process my termination fully, I reached out to my loved ones to share the bad news. I should have waited because I threw myself into having to navigate and console their emotions before I could reconcile mine. However, the reassurance I provided them helped reassure me. Things might suck for a while, but overall, I was going to be OK.

I Can’t Believe It Happened to Me

I was a good employee. My turnaround time at work was fantastic, and I always worked ahead of others, anticipating the next opportunities to make the company great. The issue is I was personally invested in my work because my livelihood depended on it. For a company, it’s nothing personal. Companies have bottom lines and profitability to navigate, but let’s face it: labor is expensive. If a company can do more with less, they will. It was nothing personal to them but extremely personal to me.

I may have become complacent and overly comfortable in my position. Although my position required many technical skills, it was easy for me. If I had looked for other jobs in the company instead of settling into my role for many years, I would still be employed.

Did I offend someone? Did I burn a bridge with somebody up the company leadership chain and not realize it? Did they secretly hate me but politely tolerate me until they could kick me out? My brain was filled with negative and paranoid thoughts. Perhaps they were doing the happy dance because they didn’t have to deal with me anymore. The numbness was wearing off and turning into hurt and pain. It didn’t help that I now had uninterrupted time to overthink my situation.

The Blanket Burrito

I couldn’t sleep or stay awake. Like a little human burrito, I wrapped myself in a blanket and stayed there – thinking and not thinking. I got up only to use the bathroom and collect my fast-food delivery order from the front porch (because I still had money to burn, right?). I turned the television on for the noise and off for the silence. My world stopped.

Then, the what-ifs started pouring in. What if I could not find a job? What if I couldn’t pay my bills? What if people asked me what my plans were before I even had plans? Fortunately, and unfortunately, I was an empty nester. Fortunately, I did not have to deal with a barrage of overthinking from a romantic partner or a young adult child. Unfortunately, nobody was there to tell me to shower or bring me food.

I was bored with television and turned my sights toward mind-numbing scrolling through social media. I bombarded my friends with forwarded videos of cats, car accidents caught on tape, and countless clips of people doing and saying stupid things. My phone battery fell below 15%, and I finally told myself, “That’s enough.”

It was time to start thinking realistically about EVERYTHING: bills, budget, career, networking, and even the value of relationships with people in my life circle. The thoughts poured overwhelmingly, getting heavier and heavier. I finally understood having the weight of the world on my shoulders. The phone charge had reached 20%. It was time for more cat videos.

Fortunately for me, the blanket burrito phase only lasted a day. However, many people burrito for weeks or months as they try to reconcile the things leading up to their unemployment against their current and future needs. Losing a job can throw you into grief mode. The five phases of grief are denial (I can’t believe this happened to me), anger (how dare they do this to me!), bargaining (making deals with yourself or God), depression (feeling sad or lost), and finally acceptance (OK, this did happen to me). Some people navigate grief quickly, while others cannot recover from grief at all.

Shock and Grace

Losing a job is shocking and devastating when you don’t know how to survive financially in the short and long term. The emotional rollercoaster of anger, worry, hurt, and anxiety is exhausting. If it helps, grab some paper or open a blank page on the computer and write about how you feel. Just let the words flow. Get them out into the open. (NOTE: Avoid writing a manifesto about how you want to destroy the company, even if you are furious with them.) You can share your feelings with someone else or keep them in a private file. I am not a psychologist; however, my personal experience is getting these feelings out instead of internalizing them is helpful. Of course, if a counselor would help, I would consider setting up an appointment.

It is okay to burrito to allow recovery and processing time. Give yourself this grace period. However, it is not okay to become a crunchy burrito. You cannot allow yourself to stay burritoed for an extended time because that crust forming around you will immobilize your ability to move forward. People will not want to hire the crunchy burrito.

Congratulations on Your Promotion

The moment you were terminated from your job is the moment you were promoted to being your own boss. You are no longer required to answer your previous supervisor. No longer does that company own part of your time. No longer can they dictate your schedule or hold you accountable for responding to that email, writing that report, or wasting time in mind-numbing meetings. You no longer have to tolerate those annoying coworkers with poor hygiene, stinky food, irritating voices, or butt-kissing demeanors (although it is okay to miss those work friends who made your time at the company awesome). You are free from all obligations to that company forever. Congratulations, Boss. It’s time to work on you.

Take a moment and think about what a boss does. A boss makes important decisions, determines where and how you will spend your time, ensures goals are met, evaluates performance, and measures financial progress. Sometimes, the boss has to have difficult conversations with their employees to get them back on track. A boss is also supposed to coach employees in areas of career development and highlight opportunities where they can grow and flourish.

Okay, Boss – are you ready to manage your employees? Bosses have a lot of accountability for success. Your new boss role can be intimidating if you’ve never been a boss. Bosses don’t have to be perfect, just effective. Your Boss-self journey will involve making mistakes, missing some deadlines, regrouping, and kicking your employee-self in the butt along the way.

By the way, bosses hate crunchy burritos.

About the Author:

Dr. Deborah Levin is a woman of many talents. She holds degrees in Design, Business Administration, and Leadership. She has multiple technical certifications, ranging from project management to artificial intelligence natural language processing. She has a strong background in project management and continuous improvement. She used her unique combination of creative and analytical skills throughout her decades of experience in corporate manufacturing and transactional environments, in addition to facilitating courses for adult learners and community service leadership. Dr. Levin is passionate about lifelong learning and is a strong supporter of formal education. She believes sharing her learning and experiences with others helps them gain perspective to become better versions of themselves.  She expresses this passion through a down-to-earth, personable writing style often seen in her written work.

Her book, Celebrating Unemployment: How to Avoid Becoming a Crunchy Couch Burrito is available at Amazon.

Visit her website at www.allenjopublishing.com.

 



Chapter One: Mercy of the Iron Scepter by Randy C. Dockens

 


Title: Mercy of the Iron Scepter

Author: Randy C. Dockens

Publisher: Carpenter’s Son Publishing

Publication Date: 01-Feb-2019

Pages: 450

Genre: Christian Fiction

After Kalem lives through the death of his brother by the hand of the King which occurred over a decade ago, he is now torn. Two prophecies stand before him. The one he wholeheartedly believes in places his life in danger just as it had for his brother. The other is safer but requires him to live a lie.
Kalem, an archaeologist, has unearthed steles which tell of a prophecy about a coming Overtaker who will oust the current king and bring everyone total freedom avoiding a coming apocalypse. He becomes close to Angela, the woman supposedly the key to fulfilling this stele prophecy, desires a romantic relationship with her, but is hesitant to act on his feelings. Her belief in the current king takes Kalem down an alternative view of the prophecy where the current king will bring everyone into an even better future home after saving all from annihilation. Can Kalem exonerate his brother and bring the justice he had always dreamed of? Or will he find his life is being manipulated to prevent the true prophecy from being fulfilled? Unfortunately, he finds deception in places he never would have suspected.
Mercy of the Iron Scepter is the first book of a new biblical end times prophecy series entitled Stele Prophecy Pentalogy by futuristic fiction author Randy C Dockens. This is not your typical speculative fiction novel about biblical end times prophecy as it combines bible prophecy with futuristic advances in science to describe a future home that is agrarian but also technologically advanced, like citizens using a teleporter. Plus, it provides a romantic read with a little tension added in to make it interesting. 

Mercy of the Iron Scepter is available at Amazon.

 First Chapter:

Chapter 1

Jubilee Calendar 19:6:2

Friends. Enemies. Those lines could get blurred tonight.

Kalem hugged the shadows as he made his way through the town. His town. This was where he grew up, but the fewer people who saw him tonight, the better. He scurried into the small park on the edge of town. It would likely be deserted at this hour. The contents of his backpack dug into his shoulder blade. That pain equaled the pain his heart had borne for more than a decade. He was now old enough to correct the injustice that had been done.

He climbed into the gazebo on the edge of the park. The Town Square was just ahead. Beyond the long-range teleporter was the Civic Center. The main part of town lay to his right. His destination to his left. He only had to scurry across the square undetected and head back into the shadows.

He started to jump over the gazebo railing and dart across the Square when suddenly the light above the teleporter came on. Kalem ducked and peered through the latticework of the gazebo. Having dark brown hair should be helpful tonight. Still, he pulled the hood over his head in case the light caught his auburn highlights. Two men appeared at the teleporter. He squinted in an attempt to see who they were, but he didn’t recognize them. Who were they? They wore nothing distinguishing. Just pullovers and khakis. Visitors to this part of mid-America were a rarity. Hopefully, this had nothing to do with his mission tonight. He shook his head. Couldn’t be. No one else knew.

Kalem held his breath until he knew which direction these two strangers would go. They seemed to talk among themselves for a few minutes and look around, and then they headed toward the town itself. Kalem slowly let out his breath. His plans could go forward. Once he knew the two strangers were out of sight, he jumped over the gazebo railing and hurried to the opposite end of the Town Square before the teleporter light turned off. This solved the problem of how to avoid its motion-activated sensor. He turned left and headed back into the cover of darkness.

In just a few minutes, Kalem came to his destination. This was the lodge his parents had helped build to hold Family Nights for all the farmers in the area to gather and for their kids to play together. It looked centuries old, but it was likely no more than a half-century since it was constructed. Ever since he could remember, everyone considered this lodge the showplace for the town. It sat by itself, nestled in the trees. Lights had been installed to highlight its red metal roof, which matched some of the reddish hues in the stones composing its outside wall, now highlighted with lights shining down from the eaves. The front door was made of clear glass; this was the only modern-looking part of the building. There were also lights along the fieldstone sidewalk going up to the entrance.

As Kalem opened the door to enter, he stopped and read the bronze plaque:

We have raised our Ebenezer (1Sa 7:12). This building demarks the change from pre-Refreshing to our current Refreshing, and from whom our help comes. Let us give glory and honor to our King.

Kalem shook his head. No, he wasn’t here to honor anyone tonight. He had no desire to give glory to this king—this false king. What he had in his backpack was all the proof he needed to bring down this one who took his brother. In this time of earth’s history, death did not occur unless it came by the hand of the King. Kalem shook his head. The King had no right.

Kalem opened the door and entered. The light smoky scent from the fireplace brought back so many childhood memories. Glancing around, everything still looked the same except for newer trophies lining the mantel of the huge stone fireplace forming the back wall of the room. He walked around small wooden tables scattered throughout the room and around the large wooden table near the fireplace. How long had it been since he had been here? While his friends stayed and became farmers like their dads, he had become an archeologist, a path to better understand what happened so many years ago. He had found what he needed. Now he just needed his friends on his side.

Kalem ran his hand along the stones. Memories of happy times with his friends and with his older brother, Peter, came flooding back. Peter always ensured, to all the kids’ delight, that a fire would be awaiting them in the fireplace for roasting marshmallows. This memory only heightened his desire to understand the why behind Peter’s banishment by the hand of the King—his banishment to the place of lost souls. He still missed his older brother terribly.

Kalem placed a few floating orb lights away from the windows to supply light, but not too much light. He hoped the dimmer the lights inside, the more the bright lights outside would disguise anyone inside the building. He pulled out a chair from the long table and sat with his back to the fireplace so he could see his friends enter.

He touched the T-band on his wrist. It displayed the time. He debated whether to use the holo-communicator in his T-band to call his friends. He shook his head. No, he wanted to see which of them were loyal enough to show up. He kept looking at the time. His heart rate increased and his palms became sweaty. This would be a lot to ask of his friends, but they admired Peter as much as he did. They would surely be supportive.

The door opened. Kalem stood. Five of his friends entered.

The largest of the group gave a wave. “Hello, Kalem.”

Kalem smiled. They had come—all of them. He went around the table and gave each a handshake and a quick hug, giving each a pat on the back. “Welcome. It’s great to see you.” He smiled and gestured for each of them to sit. “Thanks for coming on such short notice. We have a lot to talk about.”

About the Author:

Dr. Randy C. Dockens has a fascination with science and with the Bible, holds Ph.D. degrees in both areas, and is a man not only of faith and science, but also of creativity. He believes that faith and science go hand in hand without being enemies of each other.

After completing his bachelor’s degree in pharmacy from Auburn University he went on to graduate school at Auburn and completed his first doctorate degree in Pharmaceutics. He began his scientific career as a pharmacokinetic reviewer for the Food and Drug Administration and later joined a leading pharmaceutical company as a pharmacokineticist, which is a scientist who analyzes how the human body affects drugs after they have been administered (i.e, absorbed, distributed, metabolized, and excreted).

Through the years, he has worked on potential medicines within several disease areas, including cardiovascular, fibrosis, and immunoscience to seek and develop new and novel medicines in these therapy areas.

He has also had his attention on the academic study of the Bible. He earned a second doctorate in Biblical Prophecy from Louisiana Baptist University after receiving a master’s degree in Jewish Studies from the Internet Bible Institute under the tutelage of Dr. Robert Congdon.

Randy has recently retired from his pharmaceutical career and is spending even more time on his writing efforts. He has written several books that span dystopian (The Coded Message Trilogy), end-time prophecy (Stele Prophecy Pentalogy), science fiction (Erabon Prophecy Trilogy), and uniquely told Bible stories (The Adversary Chronicles). All his books, while fun to read, are futuristic, filled with science to give them an authentic feel, have a science fiction feel to them, and allows one to learn some aspect of Biblical truth one may not have thought about before. This is all done in a fast-paced action format that is both entertaining and provides a fun read for his readers.

He has also written some nonfiction books as well. One is to show how all humans are connected from God’s viewpoint by looking at biblical prophecy (Why is a Gentile World Tied to a Jewish Timeline?: The Question Everyone Should Ask). This book shows how all scripture is connected and inclusive of everyone. In addition, he and his editor have written two books about writing. The first is on writing techniques themselves and is entitled Mastering the ABCs of Excellent Writing: Creating Vivid and Colorful Stories that Readers Want to Read. This book not only addresses the techniques of writing, but what makes writing unique to each author. It conveys not only how to better hone one’s craft of writing but also the brand an author wants to portray. This helps an author make their writing unique as well as captivating for his/her audience. The second is a companion book to this one entitled Mastering the ABCs of Excellent Self-Editing: Framing Your Colorful Masterpiece to Keep Readers Engaged in Your Story. This is best used in conjunction with the first one. Yet, self-editing, though intricately connected to writing, is a distinct event. The better the quality of a writer’s draft manuscript when it is delivered to one’s editor, the higher the final quality of the manuscript will be for readers, and that is extremely important.

Dr Dockens is still not done. He has other creative ideas he is bringing forward as he is currently working on two new futuristic series. So, stay turned!

Website https://www.randydockens.com/
X https://x.com/RandyCDockens
Facebook www.facebook.com/Randy.C.Dockens
Instagram https://www.instagram.com/randydockens
Goodreads https://www.goodreads.com/author/show/16453941

Chapter One: How Soon is Now? by Paul Carnahan

Title: How Soon Is Now?
Author: Paul Carnahan
Publication Date: June 10, 2024
Pages: 462
Genre: Contemporary Fantasy/Time Travel

A troubled ex-journalist launches a perilous mission into his own past after being recruited by a mysterious group of time travelers.

Luke Seymour uncovers the secrets of the eccentric Nostalgia Club as he battles to solve the riddle of their missing leader, honing his newly discovered – and dangerously addictive – talent for time travel and plunging ever deeper into his own time stream … where the terrible mistake that scarred his life is waiting.

Set in Glasgow and Edinburgh in the 1980s, 1990s and near-present, ‘How Soon Is Now?’ is a gripping new novel loaded with unforgettable characters, intricate storytelling, dark humour and a unique twist on the mechanics of time travel – all moving towards a powerful and emotional climax.

Available at:

Amazon U.S.: https://www.amazon.com/How-Soon-Now-powerful-travel-ebook/dp/B0D1RG2GL5 

Amazon U.K.: https://www.amazon.co.uk/How-Soon-Now-powerful-travel-ebook/dp/B0D1RG2GL5

First Chapter: 

Time tidies up after itself better than most of us realise, so I’ll be brief. I want to get everything down while I can still remember how it happened.

It started with a note: Blue ink on a slip of paper you might mistake for a Christmas cracker joke, with these words written in a plain and precise hand: ‘We know. We can help. Come to the Thrawn Laddie, Edinburgh, 7.30pm Wednesday.’

I was at the off-licence, digging for change in the outside pocket of my suit jacket, when I found the note. I was down to one suit that still fitted and wore it most days – I was, more or less, still keeping up appearances – so the note might have been curled up there for hours, days or even months. I glanced at it without really reading it and stuffed it back into my pocket, where it stayed until I made it back to the flat with the evening’s beer supply.

Once the bottles were safely in the fridge, I emptied my pockets, throwing a fistful of old train tickets and crumpled till receipts into the bin. The note nearly joined them, but something about the neatness of the script caught my eye, and I read it properly for the first time. ‘We can help’. Who could help? How could they help? Where had it come from? I left it on the kitchen table for the rest of the week; a minor mystery pinned under a beer bottle.

It was a long week. Alison still wasn’t talking to me after The Incident at our college reunion, and even Malcolm wouldn’t return my calls. I eyed the note every time I passed the kitchen table on my way to the fridge and, by Wednesday evening, had convinced myself a minor mystery might be just the distraction I needed. One Glasgow-to-Edinburgh train and a 20-minute cab ride later – an extravagance, considering I was trying to make my redundancy money last – I was standing on Morningside Road, outside the Thrawn Laddie.

That October night was cold and crisp, and a wall of heat hit me as I opened the door. The pub – a dusty jumble of antique clutter and old-world charm – had changed so little in the 30-plus years since it had been one of our preferred student haunts that I half-expected to spot the old gang huddled in our favourite corner, but the place was now a near-empty refuge for elderly locals and a few wine-sipping post-work professionals. The students had moved on.

I checked the clock above the bar: 7.10pm. I could fit in a couple of pints, if I was quick. I ordered a Guinness and settled at a single table with a clear view of the door. By 7.30, the only new arrivals had been a pair of old gents who went straight to their friends at the end of the bar without looking in my direction. I finished my drink, ordered another and took it to my table. My second glass was nearly empty when the bored young barman, a skinny youth labouring under a misjudged haircut, loomed over me.

‘Mind if I give your table a wipe?’ he said. I lifted my pint glass and drained the remnants.

He ran a damp cloth over the table, gathered my empties and asked: ‘Another Guinness?’

‘No, thanks.’ I slipped my hand into my pocket, and my thumb and forefinger pinched the little note. ‘Maybe you can help me with something, though. Has anyone been asking for me? I’m supposed to be meeting someone.’

He stared at me, waiting for something. He cocked an eyebrow – the one pierced by a silver stud – and I added: ‘Seymour. My name’s Luke Seymour.’

He shook his head. ‘No one’s been looking for you, as far as I know,’ he said. ‘Who are you meeting?’

‘I’m not sure.’ He looked puzzled, so I added: ‘It might not be a person. It could be a group.’

The barman stuffed the cloth into his back pocket. ‘Might be the crowd back in the function suite, then. Are you one of them?’

‘One of them?’

‘The good old days mob,’ he said. ‘They rent the back room on a Wednesday night. Had an early start this week for some reason. You could try giving them a knock.’

‘I might,’ I said. ‘Who are they?’

‘The Nostalgia Club, they call themselves. They might be who you’re after. Past the toilets and turn right. You can’t miss it. Follow your nose.’ He pointed towards a corridor leading off the end of the bar.

I thanked him, left my table and followed my nose. As I turned the corner, the barman gave a soft cough.

‘Word of advice,’ he said. ‘I’d knock first. Good luck.’

After a brief stop at the gents, I followed the corridor off to the right. At the end was a dark oak door bearing a brass plaque: ‘Function Suite’. Below that, stuck to the door with a strip of sticky tape, was a sheet of A4 on which was written, in the same precise hand as the note in my pocket: ‘NOSTALGIA CLUB. PRIVATE.’

There was muffled conversation on the other side of the door, submerged under the thin, scratchy strains of a wartime ballad. With my ear to the door, I could just about hear the voices, one male, one female, over the music.

‘—try again,’ said the woman. ‘What if he doesn’t —’

The man spoke over her in an even tone with traces of an accent I couldn’t place. ‘He will. We have to be—’

The ballad hit a crescendo of horns, strings and syrupy vocals, drowning out the voices.

I raised my hand, about to rap on the door, then let it fall to my side again, struck by sudden self-consciousness. What kind of help was I expecting to find in the back room of a Morningside pub? Things hadn’t been quite right for a while and the fits, as I thought of them, seemed to be increasing in frequency and intensity, but I hadn’t mentioned them to anyone – not even Alison. Especially not Alison. I suddenly felt foolish for travelling all that way hoping to solve a problem I couldn’t even admit existed, and was about to turn and leave when my fingers tightened into a fist. I rapped on the door, surprising myself with four sharp, firm knocks.

Before I could retreat, the music behind the door stopped. Voices – the man and woman now joined by others – overlapped. There was a thud, the sound of wood scraping on wood, then approaching footsteps. The door opened just enough for the long nose of a short, bald man to protrude into the hall. The nose’s owner peered up at me through jam-jar-thick spectacles and, with practised politeness, said: ‘This is a private gathering. You’ll find the toilets back along the corridor. Enjoy your evening.’

A faint smell of liquorice snaked through the gap and into the corridor. The bald man stretched his mouth into a tight smile and began to close the door. ‘Goodbye,’ he said. I grabbed the handle and pushed back. ‘No, sorry,’ I said. ‘I think I’m meant to be here. I found this note.’

I pressed my shoulder against the door while I reached into my pocket with my free hand, fished the note from my pocket and waved it in front of his nose. ‘Seven-thirty, Wednesday. That’s today.’

‘It is,’ he said, with a sniff. An expression of uncertainty passed across his face, and he looked over his shoulder.

‘Who is it, Marcus?’ the husky voice of the woman I’d heard from the other side of the door grew louder. Her head bobbed into view above his, her curious hazel eyes fixed on me. She placed her hands on the small man’s shoulders and steered him away from the door. ‘No need to be rude to our guest, Marcus,’ she said, pushing a tangle of hair, rich copper with a streak of grey, from her eyes. She had one of those faces – handsome and strong-jawed – that seemed immediately familiar, though I was sure we had never met. She opened the door wide, stepped aside to give me a clear view of the room, and there they were: The Nostalgia Club.

There were six of them in the function suite – a grand title for a spartan, parquet-floored room no bigger than 20 feet square and decorated in that queasy colour which can pass for either burnt ochre or decades of gathered nicotine. Marcus adjusted his spectacles and retreated to a small table, on which neat rows of glass vials, oil burners, incense sticks and tealight candles waited in front of a cardboard cigar box. A candle guttered, sending a ribbon of smoke across the room as he settled into his seat.

At another table to his left, a ginger-haired and heavily-bearded young man dressed in camouflage trousers and a black T-shirt winked at Marcus from behind an outsized laptop connected to a pair of speakers. ‘Thought you said he wasn’t coming?’ said the younger man.

‘I said he might not,’ grumbled Marcus.

A tiny, owlish old woman perched on one of the chairs lined up against the wall lifted the grizzled Cairn Terrier resting in her lap, took the dog’s paw in her hand and waggled it at me in a welcoming wave. ‘We knew he was coming, didn’t we, Biscuit?’ she said, bending to kiss the dog’s head.

Beside her, an impassive woman in her early 50s, smartly dressed, immaculately made-up and without a single blonde hair out of place, surveyed me silently.

At the centre of the room, hands gripping the metal frame of an incongruous sun lounger in an eye-watering floral pattern, stood an elegant man of about 35, slim and dapper in jeans, tweed jacket and herringbone waistcoat. His close-cropped hair and neat goatee framed a face dominated by large, inquisitive brown eyes that flicked between me and the woman who had opened the door. ‘Now, Ruth, aren’t you going to invite our guest in?’ he said. His voice was musical, lightly accented and tinged with a touch of World Service RP.

The red-haired woman held out a hand in welcome. ‘Of course. Come in, please,’ she said. ‘I’m Ruth. Welcome to the Nostalgia Club. Would you like to join us?’

As I hesitated in the doorway, Ruth placed a hand on my waist and guided me into the room, nudging the door shut with her foot. She was tall and walked with a slight stoop, as if trying to disguise her height. Spotting the slip of paper in my hand, she said: ‘I’m glad you got our note. We were starting to worry you weren’t going to find it.’

‘Or wouldn’t be mental enough to come all this way even if you did,’ grinned the man with the ginger beard.

I dropped the note back into my pocket. ‘I’m in the right place, then?’

The man with the goatee almost danced towards me, arms outstretched. ‘You most certainly are,’ he said, shaking my hand vigorously. ‘We’re delighted to see you at last. You must have a lot of questions.’

‘A few,’ I said.

‘Excellent! We’ll answer as many as we can, as soon as you’re settled.’

Ruth patted my arm, took a spare chair from the row along the wall and placed it beside the gaudy sun lounger to face the group. ‘Please,’ she said. ‘Make yourself comfortable. Can I take your jacket?’

I shook my head, but I sat. The goateed man studied me with undisguised delight while Ruth stood at his side. ‘This is Mahdi,’ she said. ‘He can probably explain better than any of us what this is all about.’

‘I wouldn’t go as far as that, but I’ll do my best,’ said Mahdi. ‘How can we help you?’

That was a bigger question than he knew, but I kept my voice steady and restricted myself, for the time being, to the basics. ‘You could tell me who you are and what this note means,’ I said. ‘And if you can let me know how it ended up in my pocket, that’d be great, too.’

Mahdi laughed and clapped his hands. ‘That should give us enough to begin with, Mr Seymour.’

‘You know who I am, then?’

‘To an extent,’ said Mahdi.

‘Why don’t we start with the note?’ said Ruth. ‘It ended up in your pocket because we put it there.’

‘You could’ve just handed it to me – or introduced yourselves and said whatever you wanted to say, like normal people.’

Mahdi and Ruth exchanged a glance, and Mahdi said: ‘That didn’t seem like a good idea at the time.’

‘Why not?’

‘You didn’t seem to be in the mood for introductions,’ said Ruth.

‘Or for standing upright or walking in a straight line,’ said Mahdi. Ruth gave his hand a sharp tap and said: ‘We decided, under the circumstances, it might be better to leave the note with you and hope to meet you properly when you were in a better frame of mind.’

‘When was this, exactly?’ I asked.

‘Three weeks ago,’ said Ruth.

The reunion was the last time I’d been in Edinburgh. ‘Benson’s?’

‘Bingo,’ she said.

The few clear memories I had of that night were enough to leave me cringing over whatever other horrors I might have forgotten. No wonder Alison and Malcolm weren’t talking to me.

‘You weren’t there the whole night, were you?’ I asked, my cheeks reddening.

‘Oh, no,’ said Mahdi, shaking his head. ‘Just long enough to deliver our message.’

My fingers reached to toy with the note in my pocket. ‘How many of these notes did you hand out?’

‘Only one,’ said Mahdi. ‘We’re very careful about who we invite.’

‘You can’t be that picky if you invited me.’

‘No need to be modest,’ said Mahdi. ‘We’ve been waiting for you.’

‘Why?’ I said. The room was uncomfortably warm, their attention made me uneasy, and my voice rose in irritation and discomfort. ‘You still haven’t told me who you are.’

‘We’re the Nostalgia Club.’

‘Then you’ve been waiting for the wrong guy. Nostalgia’s not my thing.’

Mahdi bent forward, hands on his calves, his eyes fixed on mine. ‘Are you sure, Mr Seymour? We’re all partial to an occasional wander down memory lane, aren’t we?’

‘I try to avoid it.’

‘You do?’ he said, sounding surprised. Ruth stepped in front of him and said: ‘We’ll explain everything, I promise, but perhaps you should meet everyone first.’

I checked my watch. ‘And then you’ll tell me what this is all about?’

‘We will,’ said Ruth. ‘You’ve come this far. Hear us out?’

I folded my arms and leaned back in the chair. ‘I’ll try.’

‘Splendid,’ said Mahdi, stepping away and raising his arm with a flourish, like a ringmaster about to present the next incredible act. ‘Allow me to introduce you to our little group. The charming gentleman you met at the door is Marcus Millar, doyen of the olfactory arts, and beside him is our master of music and sound, Mr Duncan Creighton.’

Marcus harumphed from behind his spectacles, while Duncan gave me a salute.

Mahdi dodged around the sun lounger to the two women seated against the wall. ‘No meeting of the Nostalgia Club would be complete without Margaret Boyle and her charming friend Biscuit,’ he said, tickling the terrier’s chin. ‘And beside them, we have Miss Barbara Kinsella.’

Barbara gave a curt nod, while Margaret offered a puckish smile: ‘Nice to meet you, son,’ she said. ‘We hope you’ll stay a while.’

‘Finally,’ said Mahdi, ‘we have Ruth Temple and myself, Mahdi Azmeh. We are the Nostalgia Club.’

‘Hello,’ I said, crossing my legs. ‘Nice to meet you all. Why am I here?’

Mahdi sat in the spare seat beside Barbara and, for a moment, stared at me in silence. ‘You really don’t know?’

‘I really, genuinely and absolutely haven’t a clue. I’m not even sure why I came.’ I stopped and waited for his response, but he continued to stare at me. ‘Maybe I was just bored,’ I said.

‘Maybe,’ mused Mahdi. ‘Or perhaps something compelled you. An impulse, possibly? An idea that seemed to arrive from out of nowhere?’

He was closer to the truth than I was ready to admit. ‘The note says you can help me.’

‘I certainly hope we can.’

‘With what?’

His foot tapped against the hard floor. ‘How would you like us to help you?’

Duncan sighed loudly and stretched out his long legs. ‘Cut the cryptic shite, Mahdi,’ he said. ‘You can see the guy’s not into it.’

Mahdi turned to him and dipped his head in lieu of a bow. ‘Thank you, Mr Creighton. Direct as always.’ To me, he added: ‘What if I said we can help you make sense of a few things and set you on an interesting new path? Would that clarify matters?’

‘Not much,’ I said. ‘I’m quite happy with the path I’m on, thanks.’

‘Are you, though?’

That was enough to ignite the irritation that had been building since I had entered the room. I pushed back my chair, rose and marched to the door. I was reaching for the handle when Ruth called out behind me: ‘We can help you. We really can.’

I turned the handle.

‘You feel like your life isn’t quite your own, don’t you?’ she said. ‘That you’ve ended up somewhere you’re not supposed to be.’

I kept my fingers on the handle, my back to her.

‘Sometimes you feel like you’re not really here at all. And sometimes you go back, don’t you?’

‘We can help,’ the note had said. Perhaps they could.

I turned to face her. ‘I haven’t been feeling right lately. There’s been a lot going on.’ My hand clasped and unclasped the door handle. ‘I shouldn’t have come.’

In just a few paces, Mahdi was at my side. ‘You did the right thing. We’re here to help.’ He gently eased my fingers from the handle and ushered me back into the room. ‘Please, sit.’

I sat, and he settled into the chair opposite. ‘Forgive me – we seem to have been talking at cross purposes. I assumed you were at least somewhat familiar with our activities. I’ll try to explain.’

‘Properly,’ said Ruth.

‘Of course,’ said Mahdi. ‘A few things first.’

Marcus took off his glasses, laid them on the table and rubbed his eyes: ‘Can we do it without the theatrics?’ he said. ‘He’ll stay, or he won’t stay. Just tell him, and we’ll find out which it’s to be.’

‘I’m with Marcus on that one,’ said Duncan. ‘Just this once.’

Mahdi ignored them. ‘Some people are born with talents,’ he said. ‘Some are gifted artists, some have a beautiful voice, some are extraordinary athletes. Others might have a gift for persuasion, for mimicry, for knitting, for mathematics, or poetry, or—’

Ruth stood behind my chair and leaned to half-whisper in my ear, loud enough for Mahdi to hear: ‘He’s going to get to the point any minute now.’

‘Of course I am,’ said Mahdi. ‘Many gifted individuals discover their talents early. Others bloom later in life, thanks to a chance encounter or a helping hand. Some talents are so rare, so specialised that, without careful nurturing, a person might never even realise—’

‘Oh, for fuck’s sake,’ said Duncan. ‘This could take all night. Cut to the chase: We’re time travellers. That’s what this is. We’re time travellers.’

I laughed, but no one else did. ‘Time travellers?’

‘Yes,’ said Mahdi with more than a hint of pride. ‘We travel—’

‘—in time,’ I interrupted. ‘I get it.’ I waited for the laugh, the wink, the smirk, but it never came. They stared at me in rapt expectation. ‘Like some kind of role-playing game?’ I said.

‘No. It’s not a game,’ said Mahdi.

‘Definitely not,’ said Ruth.

‘A joke, then?’ I demanded.

‘It’s no joke, son,’ said Margaret. ‘That’s what we do.’

I looked from face to face and, in as neutral a tone as I could summon, said: ‘You’re time travellers? All of you?’

They all nodded.

‘Even the dog?’

Margaret giggled and bounced Biscuit on her lap. ‘Don’t be daft. He’s just a dog.’

‘Okay,’ I said, contemplating the safest and fastest way to exit a room full of lunatics and retreat to a safe pub and a steadying drink. ‘You’re time travellers from the year three million who like to hang about in the back room of an Edinburgh pub every Wednesday night?’

‘We’re not from the future,’ said Mahdi.

‘Outer space?’

‘No,’ said Ruth. ‘We’re all very much from here, now. We’re not spacemen from the future or anything like that. We’re just normal people, who—’

She paused, looked at the ceiling, and then swallowed hard. ‘Travel in time,’ she concluded, clearly aware how ridiculous it sounded. ‘That’s why we’re all here.’

‘All right,’ I said. ‘Let’s have a look at it, then.’

‘At what?’ said Ruth, baffled.

‘Your time machine. Where is it?’ Besides Duncan’s laptop and speakers, the only equipment in the room was a whirring mobile air purifier close to Marcus’s table.

‘We don’t have a time machine,’ chuckled Mahdi. ‘Popular fiction has misled you on the mechanics of time travel, Mr Seymour. You won’t find any elaborate Victorian devices or bigger-on-the-inside phone booths here.’

Duncan frowned and muttered: ‘Police box. It’s a police box.’

‘Or police boxes,’ continued Mahdi. ‘Nothing of that sort. You’re already travelling in the most efficient time machine of all.’

I looked down at my belly straining against my slightly-too-tight trousers.

‘The human body,’ said Marcus, helpfully.

‘Yes, I get that,’ I said, opting – for the moment – to humour them. Now that I was in the middle of it, it might at least make a funny story to help break the ice with Alison and Malcolm. ‘How’s it done, then? You just make a wish and go flying off into the middle of next week?’

‘Not next week,’ said Marcus. ‘Or the week after. Not even as far as tomorrow.’

‘So you’re time travellers, but you don’t even go into the future?’ I scoffed.

‘Sadly not, other than by the usual means,’ said Mahdi. ‘We’re obliged to move forward a second at a time, just like everyone else.’ I opened my mouth to speak, but he carried on: ‘Think of it this way: We’ve already created our path from the past to now, so we can follow it back. None of us has been to the future, so there is no path to follow.’

It made as much sense as anything else I’d heard so far. ‘Fine,’ I said. ‘So you only travel into the past. Are you going to tell me how you think you do it?’

‘We don’t think we do it,’ said Marcus. ‘We do it.’

I pointed towards the sun lounger at the centre of the room. ‘If you time travel in your own bodies, I assume that’s got something to do with it. What is it, hypnotism?’

‘It’s not hypnotism,’ said Ruth. ‘It really happens. You’re still looking for reasons not to believe it.’

‘I’ve got plenty of reasons not to believe it. It’s ludicrous. Isn’t it?’

‘You think so?’ said Duncan, looking up from his laptop. ‘Why?’

‘Because time travel’s impossible. Even if it wasn’t impossible, it’s hardly likely to have been discovered by a bunch of oddballs in the back room of a pub.’

‘We didn’t discover it,’ said Duncan. ‘We just use it. None taken, by the way.’

‘None what?’

‘Offence. For the “oddballs” thing.’

‘Oh, right. Sorry. Anyway – time travel? It’s impossible.’

‘It’s not impossible,’ said Duncan. ‘You’re doing it right now.’

I thought for a moment. ‘Because I’m moving forward into the future? That’s not time travel. That’s just living. Everyone does that.’

‘But not everyone can do what we do,’ said Mahdi. ‘We aren’t constrained by the same laws as everyone else.’

Ruth crouched at the side of my chair. ‘What I said earlier – about feeling like you’re not quite here … it made sense, didn’t it?’

‘No.’ I stifled a shiver and struggled, again, to evade thoughts I’d been avoiding for months. ‘You think I can do this time travel thing as well, don’t you? That’s why you wanted me to come here.’

‘Yes,’ said Ruth.

‘I think I’d know if I was a time traveller,’ I said, forcing a laugh.

Mahdi looked at me with discomforting intensity. ‘Would you? Perhaps you just haven’t found the right conditions so far. That’s what our little club is for – together, we nurture and amplify our talents. We can do that for you, if you’ll let us help you. And, if you find you like it, well—’

He stopped and exchanged a glance with Ruth. ‘Perhaps you might be able to help us with a little problem of our own.’ He walked to the sun lounger and sat on it, bouncing gently. ‘You’re sceptical, I can see that. Try it for yourself, and I promise everything will become clear. Your past is waiting to be explored, Mr Seymour. All of it.’

I could have left, right then. I could have walked out, closed the door behind me and never seen any of them again. But I didn’t. Instead, I asked: ‘All of it? What if I don’t want all of it?’

‘I understand,’ said Ruth, ‘but don’t worry. You choose where you want to go. No nasty surprises, I promise.’

‘You’ll love it,’ said Margaret. ‘Just take a wee lie down. It’s easy.’

The orange-and-purple floral pattern on the lounger was a migraine waiting to happen. ‘On that thing? You think I can just lie on that and pop off to Culloden, or the Stone Age or … wherever?’

Mahdi stood, motioning for me to lie down. ‘Nothing as dramatic as that. Our travels have their limits. For now, we could try something simple. You were asking earlier how we managed to pass you our little invitation. Would you like to take a look?’

The last train home was still hours away – and lying down on the lounger might make a good punchline for my story. ‘Why not?’ I said, rising from the chair. ‘What do I have to do?’

‘Just lie back, and we’ll guide you through the rest,’ said Ruth, switching off the air purifier.

‘Does the sun lounger go back in time as well?’

Mahdi patted its frame. ‘No, no. The lounger stays here. Now, please. Lie down. Relax.’

I settled into the lounger, which proved unexpectedly comfortable. Duncan’s fingers flew over the keys and trackpad of his laptop. At the same time, Marcus took two vials of liquid from his collection, mixing drops from each into a slim tube, which he plugged with a plastic stopper, shook and held up to the light before adding another drop from each of the vials.

‘Please place your arms at your sides and close your eyes,’ said Mahdi.

‘Am I going to concentrate on your voice and then feel very, very sleepy?’ I asked, closing my eyes.

‘If you wish,’ said Mahdi. ‘The main thing is to let your mind detach from the here and now, to slip loose while focusing on your destination. Benson’s, three weeks ago.’

He paced around the sun lounger. ‘I’ll do my best to guide you along the first steps, but you’ll be doing most of the work, such as it is.’

‘Okay. What can I expect on the other side?’

‘You’ll arrive within yourself as you were three weeks ago. Inside, looking out. The best seat in the house, you might say. But first, Mr Millar and Mr Creighton will create the appropriate conditions to help guide your trip. Are you ready, gentlemen?’

I opened one eye to watch as Marcus poured four drops of liquid from the tube he had just prepared onto one of his oil burners, then lit a tealight beneath it. Duncan pressed a key on his laptop, and sound erupted from the speakers. He winced and lowered the volume, reducing the burst of noise to something more recognisable: A hum of conversation, laughter, the clink of glasses and the occasional chime of a till. Bar room sounds.

‘Close both eyes, please, Mr Seymour,’ chided Mahdi. ‘You’ll find the whole experience more rewarding if you follow my instructions.’

‘Sorry. Instruct away.’

‘And try to take it seriously.’ He lowered his voice, and I focused on his soft footsteps as he padded around the lounger. ‘Listen to my words, but focus on the sounds and smells we’ve provided for you. Use them to draw yourself to your destination. Visualise it. Envelope yourself in it.’

I couldn’t help myself. ‘That’s just remembering. Memory isn’t time travel.’

‘Concentrate, Mr Seymour,’ said Mahdi. His footsteps stopped, and I could feel his breath on my ear. ‘Memory is where time travel begins,’ he said. ‘It’s the fuel for what we do. Tell me, Mr Seymour, do you ever go to the gym?’

I kept my eyes closed. ‘Look at me. What do you think?’

‘Perhaps not. But the principles are the same – this is like exercising a muscle. It may be a struggle at first, but you will gain in ability and strength each time the exercise is repeated. Short hops will be enough of a challenge at the start, but you’ll quickly manage – crave, even? – more.’

The smell of the room was changing. The liquorice scent was gone, replaced by warm aromas of hops, whisky and hot breath. A question came to me – a ridiculous one, but I asked it anyway. ‘How do I get back?’

‘So you believe you might actually go somewhere?’ Even with my eyes closed, I could sense the smile on his face. ‘We’re making progress.’

‘I didn’t say I believed it,’ I said, sitting up and opening my eyes. ‘But if I did, how would I get back?’

‘Don’t worry. It takes only a slight effort of will to return to your starting point. In any case, I’ll be here to guide you back, if required. Lie back and close your eyes, please.’

I shuffled in the sun lounger, closed my eyes and turned my attention to the filigree of sound flowing from Duncan’s speakers. With enough concentration, I could pick out individual strands and found myself switching, as though using a TV remote to change channels, from the chiming of the till to the chatter of the drinkers and then the noise of feet on creaking boards. New sounds emerged: particular voices, a distinctive laugh, the clunk and swish of the door opening. The smells became richer and more complex, too, with new notes drifting to the fore: a hint of aftershave, rain drying on an old coat, stale smoke on a passing stranger’s breath. There was something else – a savoury scent I could almost taste. Light and shadow flickered across my closed eyelids.

‘Something’s cooking,’ I said, and my voice sounded faint and far away.

‘Is it really?’ said Mahdi. ‘What do you think it is, Mr Seymour? Can you tell? Smell it. It’s close, isn’t it?’

I chased the scent past wisps of furniture polish and sliced lemon until I pinned it down. Bread, butter and cheese heating together. ‘Cheese toastie,’ I said – or thought I said. A drowsy weightlessness was spreading up and down my spine, rippling across my limbs and into my hands and feet. 

Mahdi’s voice had taken on a peculiar echo. ‘You’re nearly there. Keep going. Further.’

My entire body was tingling, filled with a familiar and not-unpleasant sensation of simultaneously floating forward and sinking back, swaddled in swarms of humming static. ‘Breathe in,’ said Mahdi, from an impossible distance away. ‘What do you hear? What do you smell? What do you see? Where are you?’

Footsteps circled me. ‘Take a deep breath and hold it for as long as you can.’

There was a chill to the air as it hit my lungs. I held it there, warming it in my chest for what felt like hours, until Mahdi spoke again. ‘And … breathe … out…’

I exhaled slowly through my mouth, drifting further from the lounger, the function suite and the ties of the present. When I breathed in through my nose, the tang of bubbling cheese made my nostrils twitch. That toastie was close to burning. The floating feeling spread across my chest, out to my arms, down my legs and across my scalp in tingling waves. Cold air prickled at the back of my neck and blew past my ears, becoming a rising wind which drowned out the sounds of the bar and bloomed into a howling rush of pummelling energy which threatened to whirl me around and knock the air out of my lungs. Then, as quickly as it had arrived, the roaring tumult whipped across me and was gone.

And I’m here.

About the Author


Paul Carnahan was born in Glasgow, Scotland, and grew up in the new town of Cumbernauld. After studying journalism in Edinburgh, he began a decades-long career in local and national newspapers.

‘How Soon Is Now?’ is his first novel. The second, the Britpop-era romance ‘End of a Century’, will be released early in 2025, and a third is currently a work in progress.

Website & Social Media:

Website www.paulcarnahan.com 

Twitter https://twitter.com/pacarnahan  

Instagram https://www.instagram.com/paulcarnahan6/ 

Goodreads https://www.goodreads.com/book/show/211423352-how-soon-is-now

Chapter One: Hollywood Underworld


 Title: Hollywood Underworld: A Hollywood Series
Author: Lindy S. Hudis
Publication Date: August 4, 2021
Pages: 203
Genre: Crime Thriller

First Chapter:

Dani Foxx sat at her computer in her small yet meticulous office on Ventura Boulevard diligently checking her day-planner. It was still early on this late-spring Friday morning, but the humid San Fernando Valley was already sticky and blistering-hot, a preview of the triple-digit summer sure to come. The air conditioner in her ship-shape Studio City office was running full blast, and the stack of papers, pictures and letters on her cluttered desk seemed to never get smaller. The temptation to procrastinate on Facebook and Twitter was overbearing, and she quickly closed them out. 

     “Gotta work today!” She murmured to herself as she began to get her space in order, taking advantage of some time alone. Dani was thirty-seven years old, and lived just a few miles to the north, off Coldwater Canyon near Magnolia, with her seventeen-year-old daughter, Dale, who attended Grant High School. She had started her talent management company from the ground up without any help from anybody, not unlike her life. She raised her daughter by herself, as well as running a household and business. She was smart, independent and subtly beautiful, with waist-length blonde hair and a figure as sexy and voluptuous as any starlet or supermodel. 

     Her ex-husband, a part-time actor and stand-up comedian, had abandoned the family when Dale was two.  Dani knew instinctively how to take care of herself and her child, and Dale’s father was long forgotten. Neither Dale nor Dani missed him, and they had made a wonderful and loving life for themselves. 

     Sighing, she checked her to-do list of meetings that day. She was to see several actors that morning, had phone calls and breakdowns in the afternoon, and she was running late due to an early-morning argument with her loving, yet typically rebellious teenage daughter. Barbara Thomas, one of the most powerful and respected casting directors in Hollywood, was currently casting a new feature film, and Dani was going to submit her best talent for the various roles. She was also seeking new clients, thus the many interviews she had scheduled for herself. Needless to say, this was going to be a busy day, and she was glad it was Friday, as a much needed and relaxing weekend was definitely in order. 

   Her office landline phone rang for the first time that morning, and Dani was swift to jump and answer it. 

   “Foxx Management.” She spoke professionally into the phone, while continuing to scan her computer screen. Her cell phone vibrated at that very moment, and she let her personal voice mail answer. Her life was a never-ending array of telephone rings, actor drop-ins and pulsating cell phones. However, the ambitious and hard-working Dani would not have it any other way.  

   “Hi Ms. Foxx, it’s Nick Savage. We met at the Actors Space Theater.” The cheery yet deep male voice said. 

   “Oh, hello Nick, of course I remember you. How could I forget your incredible performance in The Glass Menagerie?”

    “I certainly appreciate that, Ms. Foxx. I just wanted to confirm our appointment for this morning.”

    “Lemme check….” Dani clicked on the calendar icon at the top of her screen and skimmed the page when the document opened. “I see you have a ten-thirty with me.”

     “Yes, I do, and I am looking forward to meeting you again, Ms. Foxx.”

     “Likewise, Nick, and please call me Dani. Ms. Foxx is my mom.” Dani said with a friendly laugh. 

    “Okay Ms.…err, Dani. See you at ten-thirty. Is there anything you need me to bring? My demo reel? My new headshots? A Frappuccino from Starbucks?”

    “No thank you, Nick. Just bring yourself and we’ll work out the details of what you need later.”

     “Thank you, Dani. See you later.”

     “Great, see you then.” Dani smiled as the placed the phone back on the multi-line console. She remembered her acting and modeling days. She knew all too well the treachery and frustration of the entertainment business. The many pitfalls, vulnerabilities and precarious situations made life for the aspiring entertainer difficult, so Dani made it a point to be friendly, approachable and super protective of her clients. 

    She gingerly thumbed through the stack of actors' headshots and sorted them according to the order in which she was going to meet with them. Slurping her caramel latte, she eyed the pictures, one after the other. All of them beautiful, all of them with hopes and dreams in their flawless, white-toothed smiles. Nick Savage, the young man to whom she had briefly spoken on the phone less than a minute ago, was performing in a play that one of her clients was in. The Actors’ Space Theater Company in Burbank was bursting with phenomenal new talent, and she frequented there often with her faithful assistant, Doug.  However, this particular morning, Doug was running late, which was not unusual. The traffic in Los Angeles was becoming a joke, and one would have to leave home nearly two hours early to get to work on time. Friday mornings especially, it seemed, the freeways were like parking lots and everybody was always running late– which was why Dani, in her impeccably efficient manner, always made sure to live within a few miles of her office. 

    Shuffling through the stack, Nick’s headshot fell to the floor. She glanced down as she bent to pick it up. As she met so many actors and actresses, it was difficult for her to remember the names and faces, but she did recall meeting him. Dani studied his picture for a moment. His eyes shined with confidence, sex appeal and masculinity. She remembered his performance very well and thought he was talented and good-looking enough. Plus, he came highly recommended by her client, Jennifer Connors, who was also in the theater company. As with all actors’ headshots, his face seemed to speak to her, and they all seemed to have the same message. Hire me! Meet me! Love me!

    Her thoughts were interrupted as Doug, her exuberant assistant, burst into the room with a flourish. 

   “Oh my GOD, Dani! You will not believe the traffic on the 101 this morning!” Doug cried dramatically as he tossed his canvas tote bag onto his swivel chair in front of his chaotic desk. 

   “I know this, that’s why I live in Studio City and not West Hollywood, like you.” She grinned at her flamboyant, high-energy friend.

   “Well, we all have to live somewhere, right? But don’t you worry, you’ll always be my favorite valley girl!!” Dani giggled as he winked at her, approached the tiny kitchenette and washed out the coffee maker. “I need some high octane today, honey. I got zero sleep last night!”

   “Hot date?” Dani raised an eyebrow at him as he started to make coffee. 

   “Let me put it this way, Danielle, you know what they say about redheads.”

   “No, what do they say?”

   “That there is a fire down below. Trust me honey, whoever said that was NOT kidding.” Doug winked again as he filled the coffee maker with water and scooped the brown mixture inside. He felt comfortable with sharing intimate details of his life with her, as they were very close friends. Doug hoped to become a partner in her management firm one day, and Dani was encouraging Doug to find his own clients to gain some practical experience.

  “Well, I’m glad somebody’s sex life is full of excitement around here.” Dani scanned her e-mails and the various casting notices for the day: a new television pilot, a few independent films, and several commercials. 

  “Sweetheart, you just work too hard, that’s all.” Doug grinned at her knowingly as he poured the dark brown liquid into a mug with DIRECTOR printed across in gold ink. Dani couldn’t help but smile slightly and shake her head. Everybody wants to direct!

    “You’re right, as usual. I have no time for myself.” Dani took a sip of her caffeinated beverage as the constant, jarring ring of the office landline phone interrupted them. 

    “You just have to make time, girl!” Doug nodded as he was quick to answer the never-ending ringing phone. “Foxx Management.” He abruptly switched his tone from chiding to professional as he quickly sat down in the swivel chair and speedily thumbed through a stack of papers and scanned his computer monitor.  Another day at the office! thought Dani. 

    Her cell phone pulsated again, and she noticed Dale’s number on the screen.

    “Well, if it isn’t the fruit of my loins!  What’s up, kid?” 

    “Mom? Are you busy?” Dale’s voice was barely audible. She had the whiney, nonchalant tone of a typical teenager on a Friday morning who wanted to be anywhere else but in school. 

    “I always am. What’s up?” 

    “Can you come get me? I’m bored.” 

   “Yes, I’m sorry about this morning too, sweetheart…” Doug gasped in mock horror at the thick sarcasm in Dani’s voice. Dani waved him off as Doug answered the incessant phone without missing a beat.

   “Oh, right…. Yeah…. Sorry Mom, I….”

    “Are you at school?”

    “Yeah, but it’s a dumb class.” Dale sighed.

    “What class is it?”

    “Phys. Ed.” 

    “Are you skipping class now?”    

    “Yeah, the coach wants us to run laps around the gym. So stupid.” 

    “Dale, just give it a try, okay?”

    “I did Mom! You don’t get it.”

    “I get plenty, now get your butt to class.”

    “Excuse me Dani, but Barbara Thomas is on line three for you.” Doug interrupted politely but urgently – Barbara Thomas was not one you kept waiting.

    “Shit!” Dani was starting to lose her cool. “Okay, tell her I’ll be right there.”

    “Please Mom! What’s the big deal? It’s only gym.”

    “Dale, you’re going to get expelled if you keep this up!”

    “But Mom…”

    “Dale, you have to go, it’s part of the curriculum.”

    “A.J. is on line two.” Doug was growing more impatient.

    “Please tell him I’ll call him back.” Dani nodded over to Doug who went back on the line, but not without a playfully nasty look at her.

    “But Mom, it’s not fair that I…”

    “Fair?! What’re you, KIDDING me?! If life was fair, we wouldn’t need a Department of Justice, would we?”

    “What…?”

    “Exactly…Suck it up, buttercup, get back to the gym and sweat a little, it’ll do you good!”

    “But…”

    “I don’t have time for this.” Dani clicked off her cell phone and hastily picked up line three.    

     “This is Dani.” She announced professionally. 

     “Dani, darling. How have you been?” The throaty voice of the Hollywood legend herself was unmistakable. 

     “Great, Barbara. How are you?” Dani knew Barbara from her own acting and modeling days, and she was indeed a Los Angeles fixture. Barbara was a feisty, well-respected woman in her eighties and still going strong. She knew everybody and everything in town and had quite a reputation for being difficult and terse. She herself was a former starlet when the old Hollywood studio system was functioning and had been under contract with MGM and Warner Brothers. Rumor had it that she was a former lover of many a studio head. However, that rumor was never confirmed as nobody was brave - or stupid enough - to ask her. 

   “Oh, darling…. everything seems to happen at once. You know how it goes?”

   “When it rains, it pours, right Barbara?”

    “Absolutely, darling. I’m currently casting fifteen projects at the same time. It never stops.” 

     “Everybody in town knows that you have an eye for talent.”

    “That’s why I’ve been a casting director for over fifty years!” Barbara was never one to be modest.

    “Not a casting director, Barbara. The casting director!” Dani knew how to play the Hollywood game. Everybody’s egos were so fragile, so you heap on the praise. It was simply how it was done.

     “I love you, darling. You know exactly what to say.”

     “So, I’ve read the casting breakdown for The Love House.”

     “And what did you think?”

     “I think I have several clients who fit the bill. You know most of them. Solid, reliable.”

   “Any newbies?”

   “Could be, yes…I’m actually meeting a few prospective clients later today.”

   “Good. I’m sure you’ll find someone suitable; you’ve always had a good eye for fresh talent.”

  “Thanks, Barbara…” Dani laughed to herself - the old broad can dish out the schmooze too, well-played!

     “This town loves a good virgin once in a while, right…? About time for one now, maybe…” Barbara let the hint hover for a while. 

     “Could be, you never know…And who knows that better than you and I, right…?”

     The two women laughed reflectively and paused for a moment. They both had been fortunate enough to have a taste of ‘The Life’, emerging relatively unscathed and still on top of their game. But they also knew how quickly naive dreams and small-town hopes can be dashed by the vultures and thieves constantly circling over the land of glitter and make-believe. 

     “Right.” Barbara laughed briefly and politely, and then moved on quickly to the matter at hand. “I want to speak with you about the role of Linda.” Barbara became serious for a moment.  

    “Yes, sexy, beautiful and intelligent, with a wicked smile and sarcastic sense of humor.” Dani read the breakdown of the character.

   “A role you could easily play, darling.”

   “Not anymore, I quite prefer this side of things.” Dani laughed, taking the friendly compliment in stride. 

   “I wanted to know if your client Jennifer Connors was available. Is she still shooting that television series in Hawaii?”

   “No, she had a recurring role, but they killed her character off. She’s working on an indie film with Ross Mardsen now.”

“Ross Mardsen? Ugh.”

 “It’s a difficult set, but Jenn’s a pro.” Dani glanced up to see a uniformed delivery man at the door holding a large, pale-blue cardboard box. Doug grinned and leaped out of his seat to retrieve it.

    “Glad to hear it, darling. I’d like to see her for the role of Linda.”

    “I’m sure Jennifer would be glad to meet with you.” Dani checked her calendar. “She wraps next week; I’ll call her, and we’ll set something up.” Dani looked on as Doug opened the box. The aroma of pastries, donuts and muffins wafted through the air, causing Dani’s stomach to growl. Suddenly all her focus was on a maple bar.

   “I’d prefer to see her today, this afternoon, if that’s possible.” Barbara continued. Her tone was demanding yet endearing. You couldn’t help but like Barbara. 

   “Today? Uh…Sure, Uhmm…” Dani snapped her fingers, getting Doug’s attention. He checked his daybook and looked back at Dani with a thumbs up as he devoured one of the donuts seductively. “Actually, I think she’s on hold today, so no problem, what time is good for you?” Dani kept one eye on the box containing the delectable goodies, half listening to Barbara.

    “Three o’clock at my Beverly Hills office. I’ll have my assistant drop off the sides at your office.” 

   “Still not using e-mail, huh?!”

    “Oh God no, I hate those damn computers. Won’t have one in my office. I like doing things the old-fashioned way, it’s better for the soul.”

     “I guess you should know, Barbara.” Dani laughed and shook her head. She had always playfully teased her old friend who didn’t even have a cell phone. “Jennifer will be there. You want to see anyone else?”

   “Sure. Have some headshots and resumes ready and he’ll be over in about an hour.”

   “I’ll have them ready, Barbara.” Dani’s mouth watered as Doug placed a blueberry muffin, a chocolate frosted croissant and a delicious looking maple bar on a paper towel and placed them on her desk. She mouthed a ‘thank you’ as he returned to his desk and the incessantly ringing phone.

   “Then we’ll set up some more auditions.” 

   “Sounds good to me.”

   “Thank you, Dani.”

   “Thank YOU, Barbara. Please don’t hesitate to call me if you need anything else.” Dani stuffed a piece of muffin in her mouth as Doug handed her a message from A.J. Tarentella. He wanted her to call him back as soon as possible. 

   “You bet. Ciao for now!” Barbara hung up, leaving Dani with her treats. She attacked them as the phone continued to ring. 

   “Foxx Management.” Doug answered on the first ring, gulping down coffee. “Hi A.J., please hold.”  Doug turned his attention to the munching Dani. “It’s A.J. again. Should I tell him you’ll call him back?”

   “No, put him through.” Dani swallowed her food and took the phone.  “This is Dani.”

   “So, how do you like them?” A.J. spoke in low tones, his booming voice was intimidating and cold. However, Dani was not the least bit daunted by him. She knew his games and how to play them. 

   “Pardon me?”

   “The muffins. I had them delivered from Café Delicieux here in Beverly Hills.” A.J. sounded proud and amused.

   “Oh A.J., they’re amazing. Thank you so much. Doug and I are chowing down on them now. We really appreciate it.” 

    “I like doing nice things for you, babe.” His deep, male voice was harsh yet sweet, and Dani considered him one of her few close friends. A.J. Tarentella was dashing and charismatic. He was raised in a ruthless crime family. Being the son of a mob boss, he fought his way to the top with honor, loyalty and pride. He was now the proud owner of the Tarantella Agency, an immensely respected Private Investigation Company located in the heart of Beverly Hills. He used his father’s work ethic, connections and family ties to build his powerful business empire, and now he was always there to help those in need. He ingeniously cultivated and maintained a fragile balancing act between family loyalty and working with law enforcement. In his game, it paid to have powerful friends on both sides of the societal fence. A.J. could have easily taken his fortune and been frivolous with fancy vacations, cars and homes. Instead, he put all his money and energy into his trade. He sincerely cared about helping people, and that was a trait that Dani admired.

   “You know how much I love maple bars.” Dani exclaimed, chewing on the last bit of hers. Out of the corner of her eye, she saw Doug gulp down a chocolate glazed donut in one swallow.                        

“You are too kind.” A.J.’s smooth, velvety voice crooned through the phone line, giving Dani a bit of a shiver. The two of them were very close friends, but there was a sexual energy between them that could not be denied. Dani decided that she didn’t want to take the relationship any further, as she cherished her wonderful friendship with him. 

    “A.J., I have one-hundred and ten things to do this morning, and it’s not even nine o’clock.” Dani told him, as she noticed a sexy and curvaceous redhead peering through the window, looking lost. Dani checked the list of appointments for the day.

     “How about lunch?”

    “Sounds good Hun, I’ll call you at eleven.” Dani hung up before A.J. could answer as Doug was greeting the nervous looking, but beautiful young woman. They shook hands cordially as she grinned the typical, I’m-an-actress smile that Dani knew all too well. She herself used to get that look on her face when going to meetings and auditions.  Dani smiled warmly at her, as Doug approached her untidy desk. 

    “Dani, I’d like you to meet Duckie Buckly. She has a nine-thirty appointment with you this morning.” Doug amiably introduced them, as the young woman excitedly extended her hand to her.

    “Pleasure to meet you, Ms. Foxx.” She said a little too eagerly. 

    “Please sit down, Duckie, and call me Dani.” She nodded professionally as she sat down in the swivel chair opposite her.  

    “Thank you, Dani.” Duckie continued to smile her ear-to-ear grin. “I didn’t mean to be this early, but I left myself plenty of time to get through all the traffic.”

     “That’s perfectly fine, better early than late. Interesting name you have there, Duckie.”

     “Yes, I changed it to make it sound more theatrical. My legal name is Mildred Schneller.”

Dani paused, considered both names and shrugged slightly. “Well, you know, potato, potah-to…”

“Excuse me, Miss…. Dani…?”

“Oh nothing, just showing my age!” Duckie giggled nervously, unsure how to react and a little embarrassed. Dani picked up on this and switched gears to put the girl at ease. 

     “I like Duckie Buckly, it’s very…catchy.”

     “Thanks, I like it too.” Duckie anxiously twisted back and forth in the swivel chair as Doug brought over the coffee pot, refilling Dani’s cup.

“Would you like some coffee?”

“No, thank you. Caffeine makes me nervous, more nervous than usual.” Duckie said with a laugh. She crossed her long legs and exhaled deeply.  

“I completely understand. However, if I don’t get my high octane, I’ll fall asleep at my desk, and I don’t think Dani would appreciate that.” Doug returned to his desk with a smile and a wink.

“Relax, it’s okay,” said Dani, reassuringly. “Would you like something else to drink? Some pastry? We just had a lovely box sent over.”

“No, thank you, I’m fine….”

“You sure?”

“Well, maybe some water…?”

“Of course.” Dani turned towards Doug who was already bringing over a bottle of water.

     “So, you’re signed with the Robby Round Agency commercially?” Dani scanned her resume. She had done plenty of live theater and commercials. She was referred to Dani by a client of hers who worked with her on a commercial shoot. Dani had seen Duckie in a national commercial for a diet soda and knew she could take this beauty to the next level.  Duckie was certainly something, very beautiful and sexy, but also had a sweet and innocent quality about her.    

     “Yes, I am, but not theatrically. I’m seeking representation for film and television.” Duckie took a deep breath and seemed to relax a little.     

“That’s fine. I could help you with that. You’ve got a fresh, natural quality about you, and I’m pretty sure once I put the word out, they’ll come running.” 

    “Sounds great to me.” Duckie smiled, running a perfectly manicured hand through her long, luxurious auburn hair 

“Jeffrey Donaldson wants you to call him as soon as possible. It’s about his live action project.” Doug approached and placed the pink message paper on Dani’s desk.   

“So, Jeffrey Donaldson called?” Duckie asked wide-eyed and impressed.

    “Yes, he’s actually a very new contact that I’m nurturing. I want to get my clients in to see him when he starts casting for his new feature.” Dani told her. Jeffrey Donaldson was the President and CEO of Lioness Studios, an old Hollywood institution that was founded in the 1950’s by a fading – yet visionary and daring – movie star from the “Golden Era of Hollywood”, Sasha McDonald. Over the years, the studio had become a powerful force in the industry but had fallen on hard times a few years back. Jeffrey had made his mark, and earned the respect of the Hollywood elite, by taking the washed-up studio and turning it into a powerhouse conglomerate with their enormously successful action franchise, Fire!      

    “Wow!” Duckie grinned, crossing her legs again.

    “Would you like to meet him?” Dani asked.

    “Yes, of course. Are they in production for the new sequel?”

    “They’re always doing something.”

    “Great.” 

    “Duckie, this is what I do for my clients. I can offer you a two-year contract with a six-month escape clause. If we both mutually feel this won’t work out, after six months we can terminate, and you’ll be free to explore other options.” Dani printed out a standard management contract and handed it to Duckie, who studied it. 

     “Okay, I see no problem with that.” Duckie looked closely at the printed paper. 

     “What I will do is work on getting you auditions and meetings. In the meantime, are you taking any classes?”

     “I take a scene study class with Brian Hodges twice a week.” Duckie answered.

    “Yes, I know Brian. He’s a great teacher. Do you work out with a personal trainer? I want you to stay fit and keep your figure.”    

“Of course, I work out every day at The Body Beautiful in Santa Monica.”

    “Oh, yes. I know that place. Ocean Avenue?”

    “Yes, that’s the one.”

     “Also, as your manager, I will be here to give you council and advice.” Dani told her knowingly.  Managers usually became mentors, mother figures, and a shoulder to cry on. That is why Dani kept her client list small, so she could be there for all of them.

    “I appreciate that, Dani.” Duckie crossed her legs a third time and leaned back in her chair. Dani made a mental note to speak with her about that, if she and Duckie did decide to work together. Perhaps an image consultant could help Duckie with her self-esteem and her nervy habits. They would not look professional at meetings and auditions. 

     “First word of advice for you, stop being so fidgety. I want to build up your confidence. You’re a beautiful young woman and there’s no need for you to be insecure.” Dani explained.

     “I understand.” Ducky looked at her intently, taking in every word. Dani could tell that she was ready to work hard, and not give her any attitude. Just the kind of client that Dani liked. 

     “Dani, John Gregory is on line two for you. Says it’s urgent.” Doug called over to her.

     “Thanks, Doug. Everything is urgent to John. Please tell him I’ll be with him in a minute.” Dani said, and then turned her attention back to Duckie. “Let me know what you think of my management contract, and if it’s to your liking we will have lunch next week and discuss the next step.” Dani smiled and offered Duckie her hand, which she shook with enthusiasm.

    “Thank you, Dani. I think this will work out great.” Duckie got up and gathered her things. 

    “Sorry, but I have to take this call.” Dani nodded and picked up the phone. 

    “Welcome aboard.” Doug grinned as he shook Duckie’s hand. “Dani’s great, and so are all of her clients. You’re gonna fit right in.”

    “Thanks, Doug. She’s really busy, that’s a good sign.”

    “Busy isn’t the word for this office, my dear! Crazy is more like it.” Doug gave her a knowing look as three phone lines rang at the same time. Doug rushed to answer them as Duckie strode self-assuredly out the door. 

     “John, let me tell you, this girl is absolutely gorgeous, and nice too. She’s like a big, sweet kid.” Dani was already selling Duckie to one of the top agents in town. John Gregory was a theatrical agent at the powerful and respected Independent Artists Agency, or as it was known the world over, I.A.A.

    “Has she signed with you?” John asked impatiently, always on the lookout for new talent and fresh faces, especially the attractive female kind. 

     “I offered her the contract literally ten minutes ago. She just walked out of our office. We’re going to be having lunch next week.”

    “May I join you?” John asked, interested in meeting the actress and seeing his friend, Dani, again. 

    “Of course, you may, John. We’re going to meet at Le Dome.”

   “Oh, no. I know a much better place. Everybody meets there. La Petit Four on Sunset Boulevard in West Hollywood. It’s an outdoor sidewalk café. Much better and way trendier than stuffy old Le Dome.”   

“I’ve heard of that place.”

   “Trust me, Dani, it is the place for lunch these days. Le Dome is way too ‘90’s.”

     “Well, you would know…” Dani gave a friendly laugh as she glanced over at the clock. She was surprised to see that it was already after ten. The day flew by when the office was hectic and that was one of the many reasons that she like being busy. Fifteen minutes seemed like fifteen seconds in this office. It was just like Dani wanted it to be.

    “Who else are you seeing today?” John asked.

     “I have a ten-thirty with a wonderful actor who I saw in a play. His name is Nick Savage. Do you know him?”

     “Nick Savage, hmmmm. Yes, the name rings a bell. I do believe I remember seeing him on an episode of Crimes in the Hills.”

    “Yes, that’s him. He has lots of television credits. Handsome and talented. I’ve gotta say Dani, you have some of the most professional and marketable talent in town.”

    “I do appreciate that, John. As a matter of fact, Nick should be walking in any minute. I have a meeting with him shortly. I’ll let you know how it goes, John.”

       “Great, call me later.” John clicked off as Doug answered the relentlessly ringing phone. Dani sighed, glanced at her watch and shrugged. It was ten-thirty already and her appointment was nowhere to be found. 

    “Is Nick Savage running late?” She asked over to Doug, who held up his palms.

    “I guess so, traffic is getting worse and worse around here.” Doug scribbled a message on a pink notepad and gulped more coffee. “But it is weird, Nick seemed like such a professional when we met him at the theater. He really wanted to meet you, too. I’m sure he’ll be walking through the door any minute with the latest L.A. freeway saga.” 

    “Of course.” Dani turned her attention back to her computer screen to double check the time her meeting with Nick Savage was. He even called to confirm. It was rare for an actor to behave unprofessionally and be late to appointments. Exhaling loudly, she glanced down at her watch again. Twenty minutes seem to have flown by. She picked up her phone to give Nick a call. Perhaps he was stuck in traffic or just running late. When she got his voice mail, she left a brief message then leaned back in her chair, a puzzled expression on her pretty face. Where was he?

***

     The man sat stoically in the dim room; eyes glued to the eerie, blue glow of the computer screen. He had been using his special browser, Invisible Web or IW as it was known in various circles, in order to access the forbidden and illicit websites that littered the ‘Dark Web’. The dark web contained a specific type of Internet content that was unknown and not accessible by traditional web search engines and regular folk. They wouldn’t want to view the torrid and despicable innards of that part of the World Wide Web anyway. It was a revolting creation that existed only on darknet, an overlay of networks which required precise software, configurations and authorization to access. One didn’t want to tread there lightly, as it was a dizzying array of illegal products ranging from cocaine, weapons and child pornography. The police and law enforcement were always hot on their trails but seemed to be a few steps behind the internet hackers. Many attempts have been made to monitor this unlawful activity, and a few people have gotten caught and gone to prison for their crimes. 

     The man was his employer’s ‘offspring’, basically the second-in-command of the whole criminal operation. Being that the man was incredible technically savvy, he created his own server, hosted the website on his own, and even created a legitimate business front to throw the police off their trial. The man used his talents as a ‘Doxxer’, and that is exactly who he was, a ‘Dark Web’ master. 

    The man’s employer ran one of these illegitimate websites, and the Doxxer was in charge of running it, selling products, and hiding from law enforcement. ‘Black Panties’ was the type of dark net marketplace one needed a cast iron stomach to even view. The products and services promoted on the various crypto markets were purchased with a secret type of currency, and the whole transactions were surreptitious and hush-hush.

   The main product that the man’s employer sold were people. Beautiful, sexy people, and they were all for sale to the highest bidder. There were many people in Los Angeles with money, lots of money, and money can buy anything. The man discovered one very harsh truth about the City Of Angels: There are a lot of sick and disturbed individuals with lots of cash and wealth.  After the years of sex and debauchery go by, the sadistic acts they need to get their thrills only escalate. That is exactly where the dark web came in. 

     People were bought and sold like pieces of prime steak. Some were aware of their situations, some were not. Many of these attractive young people simply disappeared, and many just slipped into the deep well of drugs and prostitution. There was certainly no shortage of young, pretty, naive and lonely people in Los Angeles. It was almost as easy as simply posting a ‘casting notice’ in one of the trade papers or on practically any actor’s website. There were quite literally way too many to count, and they all kept coming, all with stars in their eyes. All desperate and hungry.  Some went willingly, some had to be forced, and some were even injected with heroin to get them to comply. It didn’t matter to the customer; they just wanted the fresh pussy or dick. Some clients just wanted straight or kinky sex, others wanted to tie up the young man or woman and beat them to a bloody pulp. If the client was heavily into sadomasochism, as many of them were, then the poor, unfortunate soul could quite literally have anything cruel, humiliating and torturous happen to them. Some were never heard from again. None of it was any concern to the man’s boss, as it was all about acquiring money, no matter how twisted and bizarre the means. 

     Right now, the man had a job to do. The demand far outweighed the supply, and it was his duty to provide the high-class clientele with what they wanted. What the rich men wanted were virgins, fresh and pure teenage girls. The human trafficking industry was a powerful and sordid one, run by underground crime figures and the wealthy underworld.  One wouldn’t think that such a repugnant and harrowing business could exist, but it did.  The customers were quite discriminating in their tastes as well, and the owner of these said industries were quick to supply them with product. 

  At this time, they were running out of product, and the man was burdened with the business of acquiring more. Lots more.

About the Author


Lindy S. Hudis is an award winning filmmaker, author and actress. Lindy is a graduate of New York University, where she studied drama at Tisch School of the Arts. She also performed in a number of Off-Off Broadway theater productions while living in New York City.

She is the author of several titles, including her romance suspense novel, Weekends, her “Hollywood” story City of Toys, and her crime novel, Crashers. Her latest release, “Hollywood Underworld – A Hollywood Series” is the first installment of a crime, mystery series.

In addition, she has written several erotic short stories, including “The S&M Club”, “The Backstage Pass”, “Guitar God”, “The Guitarist”, and “The Mile High Club”.

Her short film “The Lesson”, which she wrote, produced and directed, has won numerous awards, including ‘Best Short Film’ at the Paris International Film Festival, The Beverly Hills Arthouse Film Festival and the San Fransisco International Film Festival.

She is also an actress, having appeared in the indie film Expressionism, the television daytime drama “Sunset Beach”, also “Married with Children” , “Beverly Hills 90210” and the feature film “Indecent Proposal” . She and her husband, Hollywood stuntman Stephen Hudis, have formed their own production company called Impact Motion Pictures, and have several projects and screenplays in development. She lives in California with her husband and two children.

Website & Social Media:

Website/Blog ➜  https://lindyinparadise.wordpress.com/

Twitter ➜ https://twitter.com/Lindyscribe

Facebook ➜ https://www.facebook.com/LindyScribe/

Instagram ➜ https://www.instagram.com/lindys.hudis 

Goodreads ➜ https://www.goodreads.com/author/show/6470478.Lindy_S_Hudis