Showing posts with label legal thriller. Show all posts
Showing posts with label legal thriller. Show all posts

Chapter One: Tropical Scandal by David Myles Robinson

Title: Tropical Scandal
Author: David Myles Robinson
Publisher: Bluewater Press, LLC
Pages: 291
Genre: Legal Thriller/Suspense/Mystery

When Pancho McMartin, Honolulu’s top criminal defense attorney, takes on the case of Dayton Kalama, a young drug dealer accused of murdering his grandmother (tutu), Pancho is faced with a daunting amount of evidence pointing squarely at Dayton. But as Pancho, together with his private investigator, Drew Tulafono, gradually pull back the layers of deceit, they begin to uncover hints at what is beginning to look like the biggest scandal ever to hit Hawaii’s legal community. This book is pure fiction, but is inspired by true, scandalous events which shook Honolulu’s legal community to its core.

Amazon: https://tinyurl.com/3p8


Chapter One:

I was surprised when my current lover, Padma Dasari, asked me to meet with Isaac Goldblum, a legendary Hawaii trial attorney who, now in his eighties, was an alcoholic still representing clients. I had made known my intolerance for those attorneys who fell prey to addiction 

yet refused help—all while still accepting clients. They were walking malpractice cases who risked everything they’d worked for in their own lives—not to mention the lives of their clients—by living and working as functional drunks or addicts.

Being a trial attorney was stressful. Being a criminal defense trial attorney was particularly stressful. Aside from the relatively rare innocent defendant, our customer base was composed of criminals who, generally speaking, were not the warmest and fuzziest people to deal with day in and day out.

Whether they were guilty or innocent, their lives were in our hands—a situation only the most jaded and burned-out counsel didn’t find stressful.

My surprise didn’t arise from the fact that Padma knew Goldblum. She was the former medical examiner for the city and county of Honolulu, and just as I had cross-examined her many times in her capacity as coroner, so had Goldblum. My surprise arose from the fact that Padma knew Goldblum had been one of my early heroes. He was most famous for having won an acquittal for two Hawaiian teenagers who had been charged with the murder of a prominent haole (Caucasian) businessman. The public outcry against the Hawaiian kids had been reminiscent of the uproar in the Deep South when young black men were charged with the rape of white women. It was scary. Goldblum was vilified for taking the case. 

As he later said in an interview for the Honolulu Advertiser, he knew that anything short of proving who the real killer was would fall on deaf ears. His cross-examination of the businessman’s administrative assistant, who’d been having an affair with the dead man’s wife and who ultimately confessed to the murder, was nothing short of brilliant.

I had shared my early hero worship of Goldblum with Padma, but I had also made it clear that I now harbored a healthy dose of contempt for the man, who seemed intent on destroying his own legacy. At the time, Padma had not tried to defend Goldblum.

We were enjoying a quiet Saturday afternoon at Padma’s Kahala Beach condo when she broached the subject of my meeting with Goldblum. “He lives here, in the next building,” 

she said. “He’s invited us to stop by for a cocktail at about four.”

I stared out from her oceanfront lanai at the tranquil ocean.

The palm fronds on the coconut trees fronting the beach barely twitched. One lone puff of a cumulous cloud hovered in the bright blue sky.

“Why?” I asked. “Why would I want to go have a drink with a drunk who should have put himself on inactive status years ago?”

Padma stared back at me with her piercing dark eyes. I half expected her to admonish me for being too judgmental—a trait I seemed to have developed in recent years. “Isaac asked to 

meet with you. We know each other from court, and he knows I live in this building, and he knows we’re in a relationship. I think he came to me rather than you because he knows—or at least suspects—that you aren’t much of an admirer of his.”

Padma had been born in India and had done volunteer work as a doctor in Bangladesh, but she had lived and worked in the United States for most of her adult life. Nonetheless, she still retained the remnants of an accent, which was melodic and soothing. No doubt she was a calming influence on many people grieving the loss of a loved one. She had been instrumental in helping my mother in New Mexico get through the early stages of the loss of my father. Just the tone of her voice seemed to take the wind out of my judgmental sails.

“Okay, but do you know why he wants to meet?”

She gave a small shake of her head. “Something about a case. That’s all I know.” She paused for a beat. “Look, I know he’s a drunk and you hate the fact that he’s still going to court, but you have to admit: drunk or sober, the man knows the law and probably still has pretty good instincts. I doubt he would ask to meet with you if he didn’t think it was important.”

I resisted the temptation to make a snide remark and instead looked at my watch. It was three-thirty in the afternoon. “Why’d you wait until now to tell me about this?”

Padma’s beautiful brown face broke into a mischievous grin. “So you wouldn’t have time to obsess about it.”

I laughed. “Jesus, Padma. We’re not even married and you play me like a fiddle.”

“I love the fiddle,” was her only retort.

About the Author


David Myles Robinson has always had a passion for writing. During the late 1960’s and early 1970’s, while in college, Robinson worked as a freelance writer for several magazines and was a staff writer for a weekly minority newspaper in Pasadena, California. Upon graduating from San Francisco State University, he attended the University of San Francisco School of Law. It was there that he met his wife, Marcia Waldorf. In 1975 the two moved to Honolulu, Hawaii and began practicing law. Robinson became a trial lawyer and Waldorf eventually became a Circuit Court judge.   

Upon retiring in 2010, Robinson completed his first novel, Unplayable Lie. He has since published eight more novels. 

Website: www.davidmylesrobinson.com    

Twitter: http://www.twitter.com/DMRobinsonWrite   

Facebook: https://www.facebook.com/DavidMylesRobinson  

Instagram: https://www.instagram.com/davidmylesrobinson

Chapter reveal: Write to Die, by Charles Rosenberg


cover-2Title: 
Write to Die
Author: Charles Rosenberg
Publication Date:  July 26, 2016
Category:   Mystery/Thriller
Formats:  Trade Paper, ISBN:  978- 1503937611, $15.95,  Kindle, $3.99
Page Count:   498 (approximately)
Publisher:   Thomas & Mercer
Publicity Contact:  Maryglenn McCombs  (615) 297-9875 maryglenn@maryglenn.com
Book description: Hollywood’s latest blockbuster is all set to premiere—until a faded superstar claims the script was stolen from her. To defend the studio, in steps the Harold Firm, one of Los Angeles’s top entertainment litigation firms and as much a part of the glamorous scene as the studios themselves. As a newly minted partner, it’s Rory Calburton’s case, and his career, to win or lose. But the seemingly tame civil trial turns lethal when Rory stumbles upon the strangled body of his client’s general counsel. And the ties that bind in Hollywood constrict even tighter when the founder of the Harold Firm is implicated in the murder. Rory is certain the plagiarism and murder cases are somehow connected, and with the help of new associate Sarah Gold—who’s just finished clerking for the chief justice—he’s determined to get answers. Will finding out who really wrote the script lead them to the mastermind of the real-life murder?
Chapter 1
SUNDAY
The story began when his phone rang.
He struggled out of a deep Sunday morning sleep, fumbled the phone to his ear, got out “Hello” and heard a deep voice say, “Rory, Joe Stanton. I need to see you.”
“Joe, I just saw you on Friday.”
“Well, so what? I need you again. My office. Five o’clock.”
Rory wanted to say, “It’s Sunday, and I have plans.” But he knew he had no real choice. Joe’s studio, TheSun/TheMoon/TheStars, was his firm’s largest client. Joe was the general counsel—the guy who distributed all of the litigation work on which Rory’s law firm feasted. But even as he stifled his real thoughts and said, “Okay, see you there,” he realized Stanton had already hung up.
***
Rory had been on the studio lot so frequently in the past few years that they had finally caved and given him a drive-on pass, something unheard of for outside lawyers. He flashed it at the guard gate—the security camera would later document that he drove through at 5:06 p.m.—and made his way, via the fake streets used to film cityscapes, to the oddly named Executive Office Structure. There were a few other cars around, but not many, and Rory amused himself by sliding into the slot reserved for the studio head.
Joe’s office was on the top floor, and Rory took the steps up, the better to add a little more exercise to his day. His bad knee always did better going up than down. It had surprised him that the entry door into the stairwell was unlocked and annoyed him that he was out of breath by the time he got to the top.
The door to Joe’s assistant’s office was wide open, and nobody was at the desk—amazing in itself because when Joe was in the office, an assistant was always there, too, day or night. The door to Joe’s own office was to the right of the assistant’s desk. It was closed.
Rory knocked. When there was no answer, he knocked again, louder, eased the door open and peeked around the edge. Joe was sitting in his leather chair, behind his over-large black granite desk, his body tilted slightly to the left. An ugly black-and-blue bruise spanned his neck from ear to ear, and his swollen tongue protruded from his mouth. Blood clotted in his hair.
What went through Rory’s head was remarkably rational, considering that his heart rate had accelerated to twice normal speed. If I go in there, I’ll get my fingerprints and probably my DNA all over everything. And the guy’s clearly dead, so I can’t help him.
He closed the door, but not all the way, called 911 on his cell, calmly reported the body and its location and waited. While he waited there in the assistant’s office, the door to Joe’s office swung entirely open again on its own. He wanted to turn away, but he had the odd feeling it was somehow disrespectful to the body to do that. So he just stared at it until suddenly a breeze, or something, slammed the door shut again.
The 911 call had apparently alerted studio security as well as the city’s emergency system, because within a few minutes a studio cop showed up, out of breath from running up the steps. Rory pointed to the door and tried to say “Dead,” but all that came out was a croak. He tried again and got the word out.
“Anyone else in there?”
“Don’t think so, but I’m not sure. I opened the door, but then it closed again on its own. The wind, maybe.”
The guard motioned him away, drew his gun, flattened himself to the wall beside the door and, while turning the doorknob with his spare hand, kicked the door wide open. Crouching slightly and holding the gun straight out in front of him, he cleared first the open doorway and then, moving inside, the space to each side of the door. Rory thought it a brave thing. If somebody had been inside with a gun or a knife, the guard could’ve bought the farm.
“The room’s clear,” the man said. Then, as if he had not yet really focused on the corpse in the chair, he added, “Oh my God.”
Rory heard the sirens as the police and paramedics arrived, and he watched LAPD uniforms stream out of the stairway, consult the studio guard and go through the same routine of clearing the room, guns drawn. Within ten minutes, there were six more people, including men and women wearing white coats with LAPD insignia stitched above the pockets. Suddenly, yellow crime scene tape was everywhere.
Rory heard the studio guard on his walkie-talkie telling the front gate, “Don’t let any media in here . . . No, nobody, even if they’ve got a pass . . . They’ll be coming soon, they’ve probably already heard about it on the police scanner. And post somebody on the walk-in gate on the back lot.”
A Detective Johnson, according to his name plate, a big African American guy who was actually taller than Rory’s own six foot five, and maybe heavier, too, emerged from Joe’s office wearing white booties and latex gloves. He peeled the gloves off and took out a small notebook. “You the guy who found him?”
“Yeah.”
“The other detectives will want to talk to you later. I’ll get the basics from you now.”
It didn’t take long. Rory answered that he didn’t know if Joe had any enemies, in part because he didn’t know the victim very well.
“Any idea why he wanted to meet with you?”
Rory shrugged. “I’m an outside entertainment lawyer representing the studio in a big copyright case. There’s a court hearing going on about it right now. Maybe he wanted to talk about that. But he didn’t say. Just said he wanted to see me today.”
“I see.”
“So, Detective,” Rory said, “is there any way he could have . . . choked himself, somehow? Is that possible?”
“Not unless you can strangle yourself and make the rope disappear afterward.”
“No sign of it?”
He shook his head. “It was good you didn’t go in there. A lot of people would have. How did you have the smarts not to?”
“A long time ago, I was a deputy DA. You learn stuff in that job.”
“And now you’re—what did you say? An entertainment lawyer?” Without waiting for Rory to confirm, he rolled on: “Hey, have you heard this one?”
Here we go, Rory thought. Even in the middle of a gruesome crime scene.
“What’s the difference between a dead lawyer and a dead armadillo in the road, Counselor?”
“I don’t know. What?”
“No skid marks in front of the lawyer.” He guffawed at his own joke.
Rory had been thinking up good responses to lawyer jokes for years. Maybe this wasn’t the time to try one out, but then again, maybe it was.
“That’s funny, Detective, but what about this one? How many clients does it take to screw in a light bulb?”
“Uh, I dunno.”
“Well, no one knows, because clients always call their lawyers to come over and help.”
“Huh?”
“It’s a client joke.”
“I gotta think about that one.”
“Yes. Do that. May I go now?”
“Yes.”
“You have my card. If any of the other detectives need to talk to me, please tell ’em to give me a call.”
“I expect they will.” He paused. “Say, do lawyers often tell each other client jokes?”
“Nope, but they should.”
Rory left Detective Johnson, walked back to his car in the parking lot and opened the door. Then he turned around and threw up on the asphalt, getting some on his pants. When he felt like it wasn’t going to happen again, he drove home, cleaned up and tried to eat something. But he wasn’t hungry. Then he tried to sleep but found it hard. He finally got up, rummaged in his medicine cabinet and found a bottle of Valium that an old girlfriend had left behind. He took one and fell into a troubled sleep.

Excerpted from WRITE TO DIE with permission of the publisher, Thomas & Mercer. Copyright 2016 (c) Charles Rosenberg. All rights reserved.