Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

First Chapter: Cinder Bella by Kathleen Shoop

 


Title: 'Tis the Season Book 3: Cinder Bella

Author: Kathleen Shoop

Publisher: Independent

Pages: 228

Genre: Historical Fiction

She never had anything.

He lost everything.

Together they create a Christmas to remember.

December, 1893–Shadyside, Pennsylvania

Bella Darling lives in a cozy barn at Maple Grove, an estate owned by industrialist Archibald Westminster. The Westminster family is stranded overseas and have sent word to relieve all employees of their duties except Margaret, the pregnant maid, James the butler, and Bella. Content with borrowed books and a toasty home festooned with pine boughs and cinnamon sticks, she coaxes the old hens to lay eggs–extraordinary eggs. Bella yearns for just one thing—someone to share her life with. Always inventive, she has a plan for that. She just needs the right egg into the hands of the right man.

Bartholomew Baines, a Harvard-educated banker, is reeling in the aftermath of his bank’s collapse. With his friends and fiancé ostracizing him for what he thought was an act of generosity, he is penniless and alone. A kind woman welcomes him into her boarding house under conditions that he reluctantly accepts. Completely undone by his current, lowly position, and by the motley crew of fellow boarders who view him as one of them, Bartholomew wrestles with how to rebuild.

With the special eggs as the impetus, the first meeting between Bella and Bartholomew gives each the wrong idea about the other. And when the boarding house burns down a week before Christmas it’s Bella who is there to lend a hand. She, Margaret, and James invite the homeless group to stay at the estate through the holidays. But as Christmas draws closer, eviction papers arrive. Maple Grove is being foreclosed upon. Can Bella work her magic and save their Christmas? Is the growing attraction between Bella and Bartholomew enough for them to see past their differences? 

Read a sample.

Cinder Bella is available at Amazon, Apple Books, Barnes & Noble & Kobo


First Chapter:

1893

Shadyside, Pennsylvania

The week before Christmas…

Bella’s breath caught. The coyotes’ high-pitched yips and howls trailed from a distance. Living in a city, she hadn’t thought they’d get so close to the Westminster property, but now her livelihood was threatened. She should have acted sooner. She kept on. The snow fell thick, brightening what would have been a dark night without the land blanketed in white to reflect the crescent moon’s shine. She swallowed her rising fear as she stepped through the fresh fall, winding along the maple- and evergreen-lined path that led from the barn to the coop. Bella hated the thought of shooting any living thing, but she would do it if necessary.

The coyote calls came again. Closer. A chill spun up her spine. She stopped and juggled the shotgun under one arm, the tin bowls tucked under the other, and jars of vinegar clutched to her midsection. Her cat, Simon, accompanied her, stopping when she did. Bella turned her head to hear better. The coyote cries were coming from the east end of town. She clicked her tongue at Simon. He leapt onto her shoulder. His landing was gentle as could be, but still Bella’s coat seams tore a little more as the cat nestled into her.

She forced her feet to move again and picked up speed. “Tomorrow we bring the hens inside. No more of this evening trek to lay new vinegar. Those pesky coyotes can hunt somewhere else.”

Simon meowed and nuzzled her ear with the top of his head.

She reached the coop. Simon hopped down and made his rounds, circling the enclosure. He hopped through the high snow, crisp landings breaking the silence. The hens were snug and safe, but the idea of coyotes rustling around her prized hens was too much. She hadn’t slept well for days.

Margaret, the Westminster’s housemaid, had informed Bella that she’d heard stories that the four-legged hunters had been making their rounds in Shadyside and East Liberty, feasting on Christmas turkeys, chickens, even pets. The yipping drew closer and Bella poured vinegar into the bowls and circled the coop with them, hoping it would be enough to keep the predators away, that the fresh snow wouldn’t dilute the sharp vinegar scent. With the bowls in place she sprinkled some cayenne pepper near the foundation of the coop as well.

Finished with that chore and Simon back on her shoulder, she held her breath listening for preying animals. Silence. Only Simon’s purring and the shushing of fast falling snow filled her ears. Still, she wouldn’t sleep well. She had to keep those hens alive and laying. Her very existence depended upon it. She and Simon trudged back to the barn and soon she was tucked into the bed she’d made in the loft.

It would be a long night, but she had her books, a view of the coop from her loft bed and she had Simon. She struggled to stay awake, tearing her gaze from her storybooks when any sound startled her. But at some point, sleep came. She awakened quick and shot to sitting. The coyotes? Nothing. Just her dreams. She fell back onto her pillow with a deep exhale, arm tossed over her forehead, the cat warming her feet. Bella scratched the quilt. “Come on, Simon.”

She turned on her side as Simon crept up her body then plopped beside her and curled into her belly. Bella rubbed him behind the ears and looked through the window. Christmas was coming. The best time of the year. Stars twinkled between spindly winter maple tree branches and peeked over evergreen crowns.

The crescent moon glimmered and Mother Nature’s great lights turned the snowy expanse beyond the barn into a jewel box waiting for a debutante to pluck a few stones. Pittsburgh’s princesses were daughters of industry, bankers, politicians, and inventors. Their fancy holiday balls thrown by families who mimicked the wealthy habits of royalty were legendary and grew larger and more decadent each season. She imagined the Frick, O’Hara, Schenley, and Westminster daughters with snow laid diamonds strung through their hair, draped around necks, and ringing wrists and fingers. The women were known to sparkle like the winterscape itself. Their jewelry was that beautiful, magical.

Bella stretched and yawned. A New Year’s ball. That’s where Bella’s latest fictional heroine was headed. Once upon a time… she spun a tale like she always did when she wakened to a fresh day. This tale involved a protagonist fending off evildoers—the four-legged, furry kind. The silly story made it clear—Bella would set the hens up inside the barn at night until the coyotes moved on.

She eyed the empty oil lantern, the candle burnt to a nub, and the borrowed books stacked on the orange crate beside her. It was her night reading that led to daydreams of someday writing her own stories. Not that she had the time. Opening a book and slipping into the pages of worlds others had created was plenty for her. It had to be.

The sun was waking, drawing a thin sapphire line across the horizon, the signal it was time to rise. Bella jumped out of bed, readied for the day with an extra set of stockings and her sweater with leather buttons. It had been knitted by Mrs. Lambert who said the eggs Bella sold her were magic. Just a week back, the woman appeared at the barn door with the sweater and a hen no longer interested in laying, asking if Bella would get her to produce, and save a few eggs out for her each week.

“Just a few’s all I need and you can do what you will with the rest,” Mrs. Lambert had said.

Charmed. Magic. The woman had said the words a dozen times, insisting that though Bella’s eggs seemed ordinary on the outside—what they did once cracked open was inexplicable.

Though outlandish, the woman boldly claimed the eggs made the best cheese and potato casserole her husband ever ate, and that being the case, he turned sweet on her all over again. “A new man—the man I used to know—appeared with every bite he ate.”

“Egg casserole did that?” Bella had doubted. Absurd.

“It might sound ridiculous to you, a young woman probably juggling dozens—well, at least a handful of suitors—but yes. I’m quite sure the eggs did it.”

Bella didn’t reveal that she had exactly zero suitors. She buttoned the sweater, remembering Mrs. Lambert’s bright eyes. Magic. The idea was silly, but somehow felt true and so Bella had embraced the gifts. Who was she to argue with what might turn a spent husband loving again? If all it took were eggs, perhaps she ought to fire up a scrambled egg table at the market and maybe even find a man for herself. Perhaps a nice Christmas advertisement in the Pittsburgh Gazette would bring the right caller.

Bella chuckled. She didn’t have the funds for things like publicizing her desire for someone to share her life with. But she did have ideas. When Mrs. Lambert had left and was nearly gone from sight it occurred to Bella to ask a question. “How did you find me?”

But the winds were picking through evergreen stands and hid her voice from the woman who just kept on. Bella Darling wasn’t someone people could just “find.” She was a loner, a family of one, plus her hens and the cat, just grateful she’d lucked into the chance of living in the barn of one of the wealthy Ellsworth Avenue families in Shadyside, a neighborhood on the outskirts of Pittsburgh. And so Bella added another spent hen to her flock, loved on her, fed her the special oat mixture, and marveled when the newest addition began to lay alongside the two she’d been gifted from Mr. and Mrs. Westminster.

Bella would have thought it was magic, too, if she’d read it in a fairy tale. But, since it was her real life and she was no one extraordinary, she decided it was simply her kindness and devotion that brought on the laying.

Her kindness was what brought her the hens in the first place. She’d saved the life of Mr. Westminster and he’d rewarded her with the original pair of spent hens. When he saw that she got them to lay and his wife proclaimed that the three eggs added to the bread recipe made three times the amount of bread, they offered Bella the old barn to live in.

“She can only stay as long as the hens lay,” Mr. Westminster had said.

“I can make syrup, too,” Bella said. “Noticed you have quite the stand of maples.”

Mr. Westminster studied her, scratching his belly. “Mr. Hansen will be by to tap the maples. I’m sure he could use a hand. If you help him collect the sap and make syrup you can stay.”

Mrs. Westminster had leaned into her husband and whispered something.

“No. Barn’ll do,” he said. “Plenty of warmth with the fireplace added. I hear the loft is toasty as can be.”

“For as long as she needs a home, then,” Mrs. Westminster added.

Bella could tell Mrs. Westminster was irritated with her husband.

“If she’s lucky,” he said, “getting spent hens to lay and helping Mr. Hansen will continue for as long as she needs a home. We aren’t running a poorhouse. So don’t spread it around, Miss Darling. We’ll have a line of hopeless souls down the drive and onto the avenue if you tell anyone where you live.” Mr. Westminster tore a hunk of the bread from the loaf and shuffled out of the kitchen.

“Oh, that is good,” his voice had carried from down the hall.

And so, since February 1893, Bella Darling had lived in the barn, tended the hens, nurtured the cat, made maple syrup, and lived contented in spare shelter and with borrowed books. The only time she felt dissatisfaction was when she turned to share an exciting bit of a story with someone else and no one but Simon was there. She didn’t need the parties and balls and excursions that were described in the novels in order to be happy. Just someone to share her life with, her books with—that, she wanted more than anything.

Someone to love. If only magic could deliver her the man of her dreams. She arranged the holiday pine boughs and holly sprigs on the fireplace mantel then tugged on her boots to go collect the day’s eggs and head to market. He, whoever he was, didn’t have to be a man who loved stories like she did—but he needed to like them enough to listen as she reported what happened in them. Someone to gasp and hold her tight as she grew teary-eyed over the life and times of characters who weren’t even alive. Then her contented world would be fully whole.


About the Author:


Bestselling author Kathleen Shoop, PhD writes historical fiction, women’s fiction, and romance. Shoop’s novels have garnered awards in the Independent Publisher Book Awards (IPPY), Eric Hoffer Book Awards, Next Generation Indie Book Awards, and more. You can find Kathleen in person at various venues. She’s on the board of the Kerr Memorial Museum, teaches at writing/reader conferences, co-coordinates Mindful Writers Retreats and writing conferences, and gives talks at various book clubs, libraries, and historical societies.

Sign up for her newsletter at www.kshoop.com

Visit her website at www.kshoop.com or connect with her on X, Facebook, Instagram, BookBub, TikTok and Goodreads.

Cinder Bella is available at Amazon, Apple Books, Barnes & Noble & Kobo

 

Chapter One: The Golden Manuscripts: A Novel by Evy Journey

Title: The Golden Manuscripts: A Novel
Author: Evy Journey
Publisher: Independent
Publication Date: April 2, 2023
Pages: 360
Genre: Historical Fiction/Women's Fiction/Mystery

Chapter One

November 2000

Rare Manuscripts

I sometimes wish I was your girl next door. The pretty one who listens to you and sympathizes. Doesn’t ask questions you can’t or don’t want to answer. Comes when you need to talk. 

She’s sweet, gracious, respectful, and sincere. An open book. Everybody’s ideal American girl. 

At other times, I wish I was the beautiful girl with creamy skin, come-hither eyes, and curvy lines every guy drools over. The one you can’t have, unless you’re a hunk of an athlete, or the most popular hunk around. Or you have a hunk of money.

But I’m afraid the image I project is that of a brain with meager social skills. The one you believe can outsmart you in so many ways that you keep out of her way—you know the type. Or at least you think you do. Just as you think you know the other two.

I want to believe I’m smart, though I know I can be dumb. I’m not an expert on anything. So, please wait to pass judgement until you get to know us better—all three of us. 

Who am I then? 

I’m not quite sure yet. I’m the one who’s still searching for where she belongs. 

I’m not a typical American girl. Dad is Asian and Mom is white. I was born into two different cultures, neither of which dug their roots into me. But you’ll see my heritage imprinted all over me—on beige skin with an olive undertone; big grey eyes, double-lidded but not deep-set; a small nose with a pronounced narrow bridge; thick, dark straight hair like Dad’s that glints with bronze under the sun, courtesy of Mom’s genes. 

I have a family: Mom, Dad, Brother. Sadly, we’re no longer one unit. Mom and Dad are about ten thousand miles apart. And my brother and I are somewhere in between.

I have no one I call friend. Except myself, of course. That part of me who perceives my actions for what they are. My inner voice. My constant companion and occasional nemesis. Moving often and developing friendships lasting three years at most, I’ve learned to turn inward. 

And then there’s Arthur, my beautiful brother. Though we were raised apart, we’ve become close. Like me, he was born in the US. But he grew up in my father’s home city where his friends call him Tisoy, a diminutive for Mestizo that sometimes hints at admiration, sometimes at mockery. Locals use the label for anyone with an obvious mix of Asian and Caucasian features. We share a few features, but he’s inherited a little more from Mom. Arthur has brown wavy hair and green eyes that invite remarks from new acquaintances. 

Little Arthur, not so little anymore. Taller than me now, in fact, by two inches. We’ve always gotten along quite well. Except the few times we were together when we were children and he’d keep trailing me, like a puppy, mimicking what I did until I got annoyed. I’d scowl at him, run away so fast he couldn’t catch up. Then I’d close my bedroom door on him. Sometimes I wondered if he annoyed me on purpose so that later he could hug me and say, “I love you” to soften me up. It always worked.

I love Arthur not only because we have some genes in common. He has genuinely lovable qualities—and I’m sure people can’t always say that of their siblings. He’s caring and loyal, and I trust him to be there through thick and thin. I also believe he’s better put together than I am, he whom my parents were too busy to raise. 

I am certain of only one thing about myself: I occupy time and space like everyone. My tiny space no one else can claim on this planet, in this new century. But I still do not have a place where I would choose to spend and end my days. I’m a citizen of a country, though. The country where I was born. And yet I can’t call that country home. I don’t know it much. But worse than that, I do not have much of a history there. 

Before today, I trudged around the globe for two decades. Cursed and blessed by having been born to a father who was a career diplomat sent on assignments to different countries, I’ve lived in different cities since I was born, usually for three to four years at a time. 

Those years of inhabiting different cities in Europe and Asia whizzed by. You could say I hardly noticed them because it was the way of life I was born into. But each of those cities must have left some lasting mark on me that goes into the sum of who I am. And yet, I’m still struggling to form a clear idea of the person that is Me. This Me can’t be whole until I single out a place to call home. 

Everyone has a home they’ve set roots in. We may not be aware of it, but a significant part of who we think we are—who others think we are—depends on where we’ve lived. The place we call home. A place I don’t have. Not yet. But I will.

I was three when I left this city. Having recently come back as an adult, I can’t tell whether, or for how long, I’m going to stay. You may wonder why, having lived in different places, I would choose to seek a home in this city—this country as alien to me as any other town or city I’ve passed through. 

By the end of my last school year at the Sorbonne, I was convinced that if I were to find a home, my birthplace might be my best choice. I was born here. In a country where I can claim citizenship. Where the primary language is English. My choice avoids language problems and pesky legal residency issues. Practical and logical reasons, I think.

About the Author


Evy Journey writes. Stories and blog posts. Novels that tend to cross genres. She’s also a wannabe artist, and a flâneuse.

Evy studied psychology (M.A., University of Hawaii; Ph.D. University of Illinois). So her fiction spins tales about nuanced characters dealing with contemporary life issues and problems. She believes in love and its many faces.

Her one ungranted wish: To live in Paris where art is everywhere and people have honed aimless roaming to an art form. She has visited and stayed a few months at a time.

Author Links  

Website | Facebook | Instagram | Goodreads

Chapter One: The Dreaming Team by Chris Wallace

Title: The Dreaming Team
Author: Chris Wallace
Publication Date: October 30, 2023
Pages: 368
Genre: Historical Fiction
 

In the 1850s, Australia was a thriving colony of the British Empire, with its own sense of importance and sophistication.  But the people who had occupied this vast land for upwards of 40,000 years didn’t fit well with colonial expectations of the future.  In every way imaginable, white Australia tried to keep its “darkies” in line. It is against this backdrop in the 1860s that the amazing story of an all Aboriginal cricket team, the first Aussie team to do so, played at Lords, the home of cricket in England.  Conventional wisdom predicted that Indigenous Australians would die off by the next generation. The Dreaming Team brings those Indigenous players to life and follows them on an adventure that would appear to be unbelievable if it weren’t true.  They not only changed the minds and perceptions about Aboriginal Australians, they arguably changed the course of Australian history.  Praise for The Dreaming Team: “A beautiful story, beautifully written, about a piece of Australian history that, if you don’t know about, you probably should. Heartwarming, heartbreaking and brimming with relevance for today’s Australia. A poignant example of how far we’ve come and how far we haven’t.” “The Dreaming Team tells the true story of the all Aboriginal cricket team from Victoria who did a tour of Great Britain back in the 1860s and all the drama, setbacks, and cultural divide between the Aboriginals and white Australians involved. Considering the state of affairs for Aboriginal people in those days, the team’s accomplishments are no small feat!” “What an interesting story. It is truly an Australian story about indigenous Australians. The story grabbed me from the first chapter, and drew me further in to where I could not put it down. I don’t want to give anything away, so I will say that the twists and turns makes you want to know what happens next at the end of each chapter. To say it is a sports story is not fair, it is a people story, told from the heart, about the hearts of people who love the land, and their story. I recommend it highly, and look forward to more from the author, Chris Wallace!”

You can purchase your copy at Amazon.  

First Chapter:

“But, Mum, he’s all alone.  He doesn’t have anyone.”

“That’s not our worry, Alice.  Now, help me hang this washing.”

Alice takes one side of the washing basket while her mother takes the other.  

As they peg the laundry onto the clothes line, Alice keeps up her protest.  “And besides, he’s my age.  We grew up together.  He’s like a brother to me.”

“Alice, stop it!  I don’t have time for this nonsense.  We’ve given him a job and food and a place to sleep while he was growing up.  That’s more than a lot of people would do.”

Alice has never been one to give up easily on anything.  When she was a little girl, her mother insisted that Allce’s hair grow long enough so she could braid it.  Alice didn’t like wearing braids.  Her mother braided it anyway.  Alice protested.  Her mother ignored the protests.  Alice got hold of some scissors and cut all her hair off.  

“Well, I don’t care what you say.  I like him and he’s my friend.  He’s the only friend I have.  He’s my best friend!  I guess I’ll have to talk to Dad about it.”

“Don’t you dare.  And besides, I’ve already talked to him.  Listen to me, Alice.  It was one thing when you two were little.  But you’re getting to be a woman now.  And don’t pretend you don’t know what I’m talking about.  I just don’t think it’s a good idea to spend so much time with Black Johnny.  Things happen.  And I’m not going to let things happen to you.  It’s already decided.  He’s going and that’s the end of it.”

*  *  *  *  *

As he wanders away and into the dense Australian bush, Unaarrimin looks back at Mullagh Station.  The brick house and its veranda, along with the sheds and pens, had been the only things he could identify with for these many years.  They had been his everyday surroundings, as were the dogs and horses he looked after and the sheep he sheared.  The land on which Mullagh Station sits had also been his ancestral home going back thousands of years.  This is his country.  It provided his Jardwadjali people with everything they needed.  It took care of them and they took care of it.  This dot on the earth had been his everything, his every place, his only place.  Then the white settlers came and made the land do things that were unnatural to it after brutally displacing the people who had lived there for thousands of years.  They introduced new animals and ripped down the trees and plants that had stood there since the beginning of time.  They plowed up the earth and sowed new plants that this land had never known.  They built new structures that belonged on another continent.  

They said they owned it now.  Unaarrimin knew that nobody can own the land.  It is the earth.  People cannot own the earth.  All anyone could do is to be part of it – be at one with it, as the Jardwadjali have been since the Dreaming.  But now, he is no longer even a part of this new version.  Now, his attachment to the land is in his soul, not in a geographic location.

He walks deeper into the bush.  Little by little he finds it more and more familiar, not by way of recognition, but as a concept, as an organic existence.  With each step, he goes farther away from the station and closer to his roots.  He stops by a stream.  Without thinking about it, he takes off his “white man” clothes and fashions a loincloth from one of his old work shirts.  Then he kneels down for a drink of the fresh water.  As he gazes down at his reflection, his mind wanders back to a day when he was at his father’s side, drinking from this same stream.

“Try it again,” his father says, as he hands the boomerang to Unaarrimin.  “Hold it like this..  Throw from your shoulder.”  The boy takes the boomerang.  It is nearly the size of his arm.  “Now make yourself calm,” his father continues.  The boy tries to relax but feels the pressure of wanting to please his father.  His father senses this and says in a softer, more encouraging voice, “Be calm, son.  You must be still inside.  Stillness is the key.  You can do it.”  The boy lets out a big breath and his shoulders relax.  He steps away from his father and hurls the weapon into the air.  It whirls around in a wide arc with a velocity that belies the boy’s size, coming to rest on the ground in front of his father.  Unaarrimin beams up at him.  

“Now do it again,” says his father, suppressing a slight smile.

After some time has passed, being driven off Mullagh Station doesn’t feel as much of a hardship for Unaarrimin.  He is at home in the bush.  In his genetic memory, he knows that everything he needs is here.  He grazes on berries and bush tomatoes as he strolls along.  As the afternoon sun bears down, he decides to have a rest.  No reason to hurry.  No place to hurry to.  He finds a spot in the shade of a gum tree and stretches out with his hands behind his head.  Before long, he is in a deep, peaceful sleep.  

It is late afternoon when he is awakened by birds in a pre-dusk conversation, announcing their presence to one another from all around the canopy of trees: brilliant crimson rosellas, double banded plovers, fairywrens.  Their presence sparks his recollection.  These are birds he has known from his childhood, albeit by different names.  Each bird adds a different voice to this familiar symphony.  He sits up to listen.  He realizes that he’s smiling.  Then he hears another bird emit three sharp, penetrating screeches which immediately grab his attention.  This is a call he knows very well.  Looking up through the trees, he spots the Black Cockatoo, his totem.  He hears his father’s voice, “This is your totem, your brother.  Our people have known this bird since our beginning.  It will protect you.  You must respect and protect it too.  We are one with the Black Cockatoo.  Never forget this.”  Unaarrimin looks up at the bird and nods to his father.  “I will remember, father.”  “Always.”  “Yes, father, always.”

Unaarrimin can’t recall the last time he wandered in the bush without a destination or purpose.  He knows he will eventually have to find employment somewhere.  The bush can no longer really be his home.  White men have pieces of paper that say they own it.  But at least for the moment, he is free.  He continues wandering aimlessly, looking at the sky, listening to the wind, feeling the cool evening air begin to embrace him.  He’ll need to find a place to camp soon.  When it gets dark here in the bush, it gets dark.  Moonlight and the stars are the only light source.  On moonless nights, it’s only the stars.  On cloudy nights, there is nothing.  Just at dusk, he comes upon a billabong.  He gathers some brush and broken limbs and builds a satisfactory lean-to against a huge blue gum.  He rolls out his swag and picks a place to build a fire.  In a few minutes, it is glowing and throwing sparks into the night air.  Soon some of the night creatures begin serenading from the darkness.  He hears the haunting sigh of the brush tail possum.  Then, the screeching rumble of the Soot Owl.  The fire casts flickering shadows onto the surrounding vegetation.  Unaarrimin stares into the fire and listens to this night music.  His mind wanders.

The corroboree is in full swing.  They come from three different groups: the Jardwadjali, the Gunditjamara and the Wotjabaluk people.  It is already well into the night.  Fires blaze.  Sparks fly up into the sky.  The sound of didgeridoos and clap sticks fill the night air, along with the sound of bare feet beating against the earth.  The adults are dancing and singing and telling stories of the Dreaming.  The festival is also a chance to catch up with old friends.  The girls steal surreptitious glances at the boys who are trying to impress one another with their physical skills.  Later in their lives, these same boys will be known by “white” names: King Cole, Bullocky, Sugar, Jellicoe, Dicky Dick, Redcap, Johnny Cuzens, Neddy, Tarpot, Sundown and Peter.  Even Unaarrimin will be called by another name. But for now they are busy challenging one another.  A ball made of possum skin is suspended from a limb.  In turn, each of them jumps as high as he can in an attempt to dislodge it.  Tiny Johnny Cuzens leaps and leaps while the others have a hearty laugh.  Finally he gives up and laughs with them. “One day,” he says. “‘One day”’  Bullocky’s thick body barely leaves the ground when he tries to jump.  Jellicoe comes closest, but still falls short.  Finally, it’s Unaarrimin’s turn.  Before he jumps, he quiets himself.  Stillness is the key.  Then he springs into the air and grabs the possum ball with both hands before landing lightly on the balls of his feet. The others whoop and howl in celebration.  He always outdoes the others in these games.  They are used to it and they would be disappointed if he didn’t.  Dicky Dick tells Unaarrimin to put it back up there.  He wants to have a go.  Unaarrimin tosses the possum ball up into the tree.  Dicky Dick stands beneath it.  He sizes it up from one angle.  Then he looks up at it from another.  With great drama, he looks over his thumb to calculate the height.  He is finally ready.  Then he runs to the tree’s trunk and scampers up with the agility of a koala.  He shinnies out onto the limb and retrieves the ball, before dropping to the ground.  The others, including the girls, applaud and laugh as he bows in all directions.  The fruit bats banging around in the trees above him bring Unaarrimin out of his reverie.  He banks the fire and lies on his back looking up through the trees until he falls asleep.

He wakes up as the new day dawns and has a full throated yawn and a leisurely stretch.  He gathers some wood and refreshes the fire.  After fetching some water in his billycan, he carefully sets it at the edge of the flames and tosses in a handful of tea.  He sees a tall tree trunk a short distance away.  He climbs up to the top and looks down inside the hollow.  Just as he thought, there is a duck nest in the bottom with four large, white eggs resting in it.  He takes two from the nest and leaves the others.  Breakfast.  He returns to the billabong and finds wattle ferns and grinds the seeds into flour between two rocks.  Then he adds water and salt, shapes it into a loaf and puts it on the coals to become damper, bush bread.  A feast at his fingertips.  

Two more days pass in this same, relaxed, unhurried way.  By now his day has a familiar routine.  After he has had his morning tea, he goes out looking for food.  The variety is limitless: one time he’ll trap a possum, another time he’ll catch a fish.  Each day, he digs up some tubers, picks some leafy plants or collects nuts.  One of the days, he feels especially daring.  He climbs a tree and with the greatest delicacy, using a long stick, steals some honey without being attacked.  He tries to imagine what it would be like to live by this billabong forever.  

But on the morning of his fourth day, as he eats his morning meal, his mind feels unsettled.  He is not focused on anything in general or anything in particular.  But the euphoria of being free and on the land, which had so powerfully embraced him these past days, begins to fade.  Something is bothering him.  He knows he has to still himself.  Whatever it is will reveal itself once he is still.  It is the way he solves all problems.  He closes his eyes and lets out a long breath.  As he feels himself calming, he begins unconsciously humming a song.  Finally, he is where he is, focused, present.  He suddenly becomes aware of the song he is humming.  Alice had sung this song when they were children.  Like a tidal wave, an enormous sorrow washes over him.  He begins weeping shamelessly, the tears of a heartbroken child.   It was only four days ago.  It seems like an eternity. 

Mr. Buckingham has asked Black Johnny to come into the shearing shed.  They stand together, both uncomfortable for different reasons.  Unaarrimin wonders if he’s done something wrong.  He has always tried to be a good worker.  Never complained about anything.  Was happy just to be there on the station  What could he have done?  In the very back of his mind, he wonders if it has anything to do with Alice but dismisses the thought as soon as it comes.  Mr. Buckingham is uncomfortable because he doesn’t like confrontation.  And especially this one.  He is perfectly happy with Black Johnny, finds him easy going, cooperative and good at his job.  It’s only because of his wife that he is in this position.  After a few more awkward minutes, Buckingham clears his throat and begins.  “You know . . . Um . . . You see . . . If it was up to me . . . Well . . . Er . . . The Missus has a bit of ah . . . Oh, damn it, I’m going to have to let you go.  That’s the size of it.  You’ll have to leave the property.  I’ve arranged some provisions for you, tea and sugar, salt, a blanket, a billy, matches, a good knife.  But you’ll have to go.”  Unaarrimin can only look at this man dumbfounded; this man who has been his guardian since he was orphaned as a little boy.  “What have I done?” Unaarrimin asks.  “Well, that’s just it, you see.  It isn’t that you’ve done anything.  It’s more like . . . um . . . look, Johnny, let’s just leave it that the Missus would rather you weren’t here anymore.  Like I said, if it was up to me, we wouldn’t be having this talk.  But you’ve got to go.  Here, take this letter with you.  It’ll help you get a job somewhere else.  But she wants you off the property tomorrow.  Early.”

Alice and Unaarrimin had been inseparable when they were children.  She claimed him.  She taught him to read.  As she learned them, she taught him manners.  They hiked all over Mullagh Station together.  He taught her how to live in the bush, showing her what plants were edible; how to make bread, how to build a proper fire.  They got into all manner of mischief together, stealing honey from Mrs. Buckingham’s cupboard and tobacco from Mr. Buckingham’s pouch.  One time Unaarrimin twisted his ankle jumping from the roof of the shed because Alice dared him.  When they saw that he was alright, they rolled on the ground together in fits of laughter.  He remembers how infectious Alice’s laugh is.  It’s like a melody, like music to him.  He would always do anything to make her laugh.  And she always did.  One day he was teaching her how to throw a boomerang.  “Hold it like this,’ he says.  “Throw from the shoulder”.  Alice cranks her arm for a mighty toss and cracks Unaarrimin in the nose.  She starts laughing her magical laugh.  Even when it starts bleeding, she’s still laughing.  And by now, he is laughing  too.  Alice takes a handkerchief from her pocket and begins dabbing the blood.  Then she gives it to him so he can apply enough pressure to stop the bleeding.  All the while they are laughing uncontrollably.

But there is no laughter now.  Now, he is filled with sadness as he empties the remains of the billy onto the fire and rolls up his swag.  Where is he to go?  What is he to do?  He ambles away from the billabong, no longer conscious of freedom, but thinking of what he has lost, wondering if he’ll ever see her again.

*  *  *  *  *

It is late afternoon.  He hears men’s voices coming from a clearing up ahead.  As he approaches the clearing, he puts on his trousers.  A group of men are in a paddock.  They are playing a game of some kind.  One of them throws a ball in the direction of another who is holding some kind of stick.  Others are standing around the paddock.  These men are both black and white and are having fun together.  The man with the stick hits the ball that is thrown at him and it comes flying in Unaarrimin’s direction.  An Aboriginal man is chasing the ball.  Unaarrimin steps into the clear and the ball comes to a stop at his feet.  He’s wondering if it is alright to pick it up and toss it to the man running toward him.  But before he can act, he hears the Aboriginal man shout out his name.

“Unaarrimin!” the man calls.

Now he looks more carefully at the man coming toward him and recognizes him from corroboree days.  King Cole is on him and grabs him by the shoulders for a mighty hug.  In language, he says, “Hello, my brother.  I am happy to see you. ”  

It takes a moment for Unaarrimin to remember.  Then he says, “Bripumyarrimin?”  

“I am called King Cole now.”

“King Cole?”

“Yes.  It is because none of the white fellas can pronounce my name.  What are you doing?  Why are you here?  Last I knew you were over at Mullagh Station.”

“They ran me off.”

“Why would they do that?  What happened?  What did you do?”

“Nothing.  I think Mrs. Buckingham was afraid of what I might do.  I don’t know.”

“So, you are free?  Do you have work?”

“I am as free as a cockatoo.”

“You have to come with me.  The Edwards run Pine Hills and they are good people.  You’ll meet them and I’ll make sure they give you a job here.  Murrumgunarriman and Boninbarngeet are here too.”  

“They are?”

“Yep, but like me, they have “white” names too.”

“What are they called?”

“Two Penny and Tiger.”


About the Author

Chris Wallace is a creative resource.  

As an actor, he was a regular on the hit daytime drama, All My Children, created the role of The Half-Percenter in Joe Papp’s production, Mondongo, appeared in countless television programs, including The Incredible Hulk, The Mary Tyler Moore Hour and had a starring role in the holiday horror classic film, New Year’s Evil.  

As a producer, he put on New York: A Great Place to Live at Lincoln Center which kicked off New York City’s Diamond Jubilee; for Channel Five in New York, he produced the highly acclaimed Harlem Cultural Festival; at the Apollo Theatre in Harlem, he produced Uptown Sunday Afternoon, which was hosted by Harry Belafonte and featured Richard Pryor, Bill Withers, and a galaxy of other performers; for the National Organization for Women, he produced A Valentine’s Day Tribute to Woman at New York’s Town Hall;  was associate producer of the first Ali-Frazier Heavyweight Championship Fight at Madison Square Garden, and produced the gigantic block party, hosted by Gwen Verdon, which named West 46th Street as Restaurant Row. .

He earned the Silver Award at the New York International Film and Television Festival for In the Balance, a film that advocated sustainability and common sense in wildlife management.  It was also singled out by the Department of the Interior as one of the best films of its kind.  Chris wrote, narrated and wrote the musical score for that film.

He performed on several children’s television programs in New York, Boston, Philadelphia, Washington D.C. and Jacksonville, singing his original children’s songs.  In Hollywood, he performed them for all denominations of Big Brothers and Big Sisters of America.  He created a musical, A Special Thing to Be, at the Los Angeles Children’s Museum that featured his kids’ songs and the museum’s children’s chorus.

He wrote the songs for two children’s theatre productions in Hollywood, Hooray, Here Comes the Circus and Sleeping Beauty; wrote and performed the songs on Strong Kids, Safe Kids, a video produced by Henry Winkler for Paramount that dealt with the protection of children from sexual molestation and exploitation.  He created his first musical revue, Greatest Hits, in Hollywood, which played several venues, including Carlos ‘n’ Charlie’s on Sunset Strip and The Backlot in West Hollywood.

Upon relocating to Australia, he produced A Helping Hand at the Victorian Arts Centre, a benefit for Quadriplegic Hand Foundation; wrote book, music and lyrics for Nothing to Wear, a musical based on “The Emperor’s New Clothes,” also produced at the Victorian Arts Centre.  He created a one-man show, A Thing of Shreds & Patches, for the Melbourne Fringe Festival; created another one-man show, The Mark Twain You Don’t Know, which toured Australia, then Pacific Palisades, California, and played in New York City on the 100th anniversary of Mark Twain’s death.  He created several cabaret shows for The Butterfly Club in Melbourne, most notable of which was Les Femmes which featured an all female cast.  He wrote, produced and performed in Huckleberry: A Musical Adventure which premiered in Melbourne.

Which brings us to The Dreaming Team.  This is his second book.  The first, Hollywood Mosaic is written under the pen name, Pete Joseph.

You can visit his website at www.olentangymusic.com. 

SONS OF THE SPHINX BY CHERYL CARPINELLO




SONS OF THE SPHINX
Author: Cheryl Carpinello
Publisher: Beyond Today Educator
Pages: 189
Genre: YA/Historical Fiction

A grandmother’s gift usually bring happiness. 

Rosa’s gift: a very different story. Hearing the dead alienated her from classmates. Not good for a 15-year-old.

Many times very insistent, the dead cared little for her surroundings. They even bothered her in class. Dates? Forget that.

Then one day, he shows up in her room. An old dead guy. A really old famous dead guy. In living human form!

Thrilling story of battling good and evil in an ancient world.

CHAPTER ONE

I don’t see dead people. I hear them. I talk to them. Boy, you should try that. Talk about people looking at you like you’ve got two heads. That will do it. I used to look in the mirror after talking to them to see what others saw. All I saw was me, Rosa, an ordinary fifteen-year-old girl. Well, not so ordinary. I do have my father’s emerald eyes, but no glowing auras, no ghosts on my shoulders, only my sun-streaked blond hair usually in need of a .

It would be one thing if I talked to famous dead people. You know, like that Elvis Presley guy my mother still drools over? I mean, really? The guy would be, like, ancient today! Anyway, if I talked to him, I could give my mom a personal message like, “Sorry we never got to hook up.” That would be worth a few extra bucks for allowance, don’t you think?

No, the dead people who talk to me are just dead nobodies. Nothing exciting to say. Nothing going down. They’re just hanging out, waiting for—I don’t know—to be more dead, I guess. Or to see how much trouble they can get me in.

Take today in math class. We’re taking this test, see. I’m concentrating real hard on this problem trying to figure height or something. Then I hear this:

“Hey you.”

I jerk up in my chair, searching for the guy doing the talking. I glance at the kids on either side of me. Nothing. I look up at the teacher. He’s glaring at me.

“Great,” I whisper. “He probably thinks I’m trying to cheat.” I bow my head and focus on the problem again.

“You, I’m talking to you.”

I shake my head in hopes of tossing out that voice. I know now. Some dumb dead guy wants to talk to me.

“Would you be quiet? I’m trying to take a math test.”

“Oh sure, that’s okay for you to say. I’ll never take another test again.” His voice breaks up like bad radio reception.

“Not my problem.”

“I died too soon, I really did.”

“Look, I haven’t talked to one yet who didn’t say that. Kind of goes with the dead part. Now leave me alone. You’re going to make me fail this test.”

I hear him snort like he has to blow his nose, if the dead can actually do that. Then comes the kicker.

“I just want another chance. I promise I’ll do better.”

“I’m going to say this one more time. Not my problem. Now leave me alone.” I form three exclamation points in my head so if he is reading my thoughts as well as listening, he will get the picture.

“But it isn’t fair,” he whines. “It just isn’t fair.”

Okay. I’m fed up with this guy. I can’t even remember the formula for the problem I’m trying to answer. I am definitely going to fail if he keeps on yapping. I try to ignore him and concentrate on remembering the stupid formula.

Not fair.”

My brain is fried, and I’ve had enough. I slam my pencil on my desk and stand up. “Bud, I don’t give a damn if it isn’t fair. Just shut the hell up so I can get this test done!”

Did you get the part where I “stand up and yell”? Yep, that earns me an F on the test AND a trip to the AP’s office. I can’t even defend myself. What am I going to say? “Excuse me, I’m sorry I blurted out loud in the middle of a test, and I’m sorry for cussing, but you see, this dead person wouldn’t shut up.” Yeah, that would go over well. Nope, I just sit with my head down, my face burning from embarrassment, and whisper, “It won’t happen again. Had to be the stress over the test.” You get the picture.

The rest of the day I endure the strange looks and whispers by shrugging and mumbling something like “Idiot dead people.” The kids will avoid me for the next few days. I think they’re afraid whatever I have will rub off on them, or that I’ve gone bananas or something. Understandable.

All this comes from my grandmother. When I was little, Nana lived with us, and it was like Halloween every night. She told the most amazing stories about spirits that visited her. Nana said I would inherit her gift, except it’s not a gift. It is definitely a curse. Because of it, I had the first and last sleepover at my house in the third grade when Nana decided to share one of her stories with my best friend Rachel and me. In the years since Nana passed away, I’ve been laughed at, shunned, and avoided, especially after an incident like today.

When my parents get home and hear what happened…Well I might be the one shouting “It’s not fair.”

So now I sit in my bedroom trying to work on a history project. You know, the kind where the teacher puts you in a group, and then no one in the group does anything? Yep, that’s my luck. This is due the day after tomorrow, and no one except me has done anything. I’ll probably fail if it’s not finished. My eyes wander around the room instead of focusing.

“Roosa.”

Without thinking, I blurt out, “It’s Rosa, not Roosa. And I told you to get lost. Now.” I jump to the door and slam it shut. Do the dead have no respect?

And just who is THIS guy? It’s not the same person who got me in trouble at school. That’s nice. Now I have an army of dead people invading my brain. Too bad they can’t do this project for me.

“Roosa.”

Who is this idiot?

“Listen. This is my room, my space. These are my things, and I refuse to share them with dead people!”

I jump on top of my bed; I’m just getting warmed up. It has been a stressful day.

“These are my favorite books on this bookcase. See, my marked up copy of The Once and Future King. Here is my Black Stallion series. And, here, my Grandpa’s National Geographic magazines where I first read about King Tut. All mine!”

I think I’m going nuts. Who rants and raves at the dead? Shaking with frustration, I jump down and sit at my desk. The stupid history project stares back at me. At least it’s on ancient Egypt. Something I’m interested in.

“Roosa.”

Will this guy never give up?

We’re supposed to chronicle the reigns of the 18th Dynasty and evaluate the successes/failures of each pharaoh. I chose King Tutankhamen. Mom took me to the Tut exhibit when it toured the US. Talk about magnificent! I still have my ticket stub pinned on the wall above my desk.

“Roosa.”

“I hear nothing.”

King Tut ruled Egypt at the age of nine over three thousand years ago. It wasn’t until 1922 that Howard Carter discovered his hidden burial site.

Next to the Tut ticket is my favorite picture of Ankhesenamun and Tut. You know the one: it’s on the back of the Golden Throne. He’s sitting in the throne; she’s standing facing him, one arm outstretched, touching him. I’m not a romantic—well, maybe a little. The point is, in that picture, the love they feel for each other is so obvious. I’m going to use it for the presentation. It’s the one item that shows them as real people, not just a part of history.

I like looking at that picture. Sometimes I even imagine myself as Ankhesenamun. I know, I have no life. You try being in tenth grade and living with a curse. See how many boyfriends you have.

Sometimes I think they are discussing their future. You know, how many children they’ll have, and how they’ll raise them. Maybe they talk about what’s happening in Egypt, and she shows her support with a simple touch on his arm. They could also be talking about where they’ll be buried. They did that, you know. Had their burial chambers ready years before their deaths.

On days like today when I’m feeling depressed—the curse will do that to me—it could be Ankhesenamun is saying goodbye to Tut as he dies. She assures him they will meet in the afterlife. What would it be like to wander the earth looking for my husband’s spirit or ba? Does Tut look for hers?

“I do, Roosa.”

I turn around and scream.

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TUTANKHAMEN SPEAKS BY CHERYL CARPINELLO


TUTANKHAMEN SPEAKS
Author: Cheryl Carpinello
Publisher: Beyond Today Educator
Pages: 81
Genre: YA/Historical Fiction

From over 3000 years ago comes the voice of the Boy King.

Scrolls found buried in the basement of the Egyptian Museum. Transcribed in an ancient hand. Record the words of King Tut for all to read.

Tutankhamen answers all of the lingering questions, including the big one.

Discover the real story behind this famous pharaoh. Transport yourself back to an Ancient Egypt filled with mystery, magic, and danger!


CHAPTER ONE


Dear _________,

          Long ago the old texts of ancient Egypt alluded to a scroll in which King Tut spoke to the people from beyond the tomb. Many archeologists put this down to an incorrect translation of the ancient Egyptian texts. Others swore to accuracy of the translation. None of that mattered because the scroll in question could not be found. Scholars labeled it a hoax, something that never existed. It was ludicrous to imagine someone speaking from the grave. They were wrong on both accounts.

While helping to clean out a basement room in the Cairo Museum after the Arab Spring, I found an old scroll wrapped in linen and stuffed in a box. Upon further examination of said scroll, I decided to translate it myself, being, as you know, an expert in Egyptian hieroglyphs and scripts. What I found convinced me that this was the missing scroll of Tutankhamen’s voice from the grave.

The condition of the text varies from well-preserved to hardly able to read. In several instances, large chunks of the text were totally eroded away. Some entries had only a beginning sentence or two while others had no ending. It was the details given that convinced me that King Tutankhamen did indeed speak from beyond the tomb, from the Land of Everlasting Life. But I will leave you to decide for yourself. I don’t think you’ll be disappointed. If you agree with me, I urge you to publish what I have sent so that the world can see this important time-altering work.

Yours Sincerely,

S.L. Wood

Author/Editor’s Note:

Several years ago I met the Egyptian scholar S.L. Wood at a lecture on the state of Egyptian antiquities in the 21st century. We talked over dinner about our fascination with and love of ancient Egypt. Over the intervening years, I received emails apprising me of items of significance he had come across. You see, Wood spent his hours in museum basements, not in the field. “Treasures,” he told me, “are hidden deep in the basements of museums around the world.”

One day a package arrived from him. His accompanying letter (part of which you’ve already read) explained what he had sent. Blown away by what I read, I’ve followed his wishes and published his find for the world to read and marvel about.

I’ve edited Wood’s translation of Tutankhamen’s words into chapters, giving the translation more of a story format. This was done entirely for readers’ enjoyment. I also chose to use ‘aten’ to show the time of the Aten worship, and ‘amen’ of ‘amun’ to show Tut and Ankhesenpaaten’s return to Amun’s worship.]

As Wood stated in his letter, pages of text were either missing or damaged. In instances where what remained ignited my interest, I have included those.

Here’s hoping you will enjoy this rare peek into the life of the ancient Egyptian pharaoh King Tut!

Tutankhamen Speaks

(Stories from My Life)

Father and Me

Do you have favorite memories from your childhood that you can’t bear to let go, that immediately transport you back to that time and place you will remember forever and ever? I have two that happened on the same day.

I was six years old and barefoot in the middle of winter. This I remember because the sand and stones did not burn blisters on my feet. My hands could touch the granite blocks in the square without recoiling like a snake does when its rest is disturbed in the heat.

That morning I remember waking up to a shrill noise echoing off the walls in my chamber and down the halls.

My half sister Ankhesenpaaten came running into my bedroom.

“Tutankhaten, Tutankhaten, you must get up!”

“What is that noise?” I asked, struggling to put on my tunic as she entered.

“It is an elephant! One the generals brought it this morning as a gift for Father.”

“An elephant? Wherever did he find one?”

“I don’t know. Come quickly, or we shall miss it!” she shouted back as she ran out of the room.

I followed her down the hallway, the sound building as we got the closer to our father’s receiving room. Rushing into the arched entrance lined with pictographs of the Aten, my father’s god, our bodies froze, our eyes not believing what we beheld.

In front of our father stood the biggest animal we had ever seen.

“Tutankhaten, do you see it? Do you believe such a magnificent creature is here, in our palace?” Ankhesenpaaten was breathless after the rush down the hallway, but it didn’t stop her from running on about the elephant.

And it was magnificent!

It stood there, its smooth gray skin dripping sweat. The enormous legs and feet shifted nonstop in agitation. Ears as big as me flapped nervously as its head, too small in proportion to the body, swung back and forth, its tiny eyes seeking a way out. At the front of the head was its long trunk framed by the biggest horns I had ever seen.

Suddenly, the trunk arched and stretched. The noise that had wakened me now blasted out of that trunk and threatened to deafen all in the room, including Ankhesenpaaten and me.

Our father stood and motioned at the door. He was also saying something, but no one could hear a word.

A man appeared from the other side of the animal. He was dressed in the desert white gown worn by those who made the plains of sand their home. He touched the gray beast on the left side. The animal ceased that horrible noise, turned around, and followed the man out the door. That was when I saw the tail. What a funny addition to such a large animal! The tail was puny, short, and sickly looking. If the head of this animal was too small for the enormous body, then the tail was woefully out of place. It was too short to be of any use flicking away flies and gnats and couldn’t even reach halfway up the body.

I looked questioningly at my father. Noticing me, he nodded his head in the direction the creature had gone. Then he did a strange thing. He held out his hand to me.

I can’t remember another time that he’d ever exhibited such affection toward me. Usually he reserved that for my half-sisters. Ankhesenpaaten squeezed my arm and gave me a push in Father’s direction.

A grin spread across my entire face. I might have even skipped to him. I know my heart was skipping.

Placing my tiny hand in his, his strong but delicate fingers wrapped around mine. A smile even touched his lips as he gently tugged on my arm.

Hand-in-hand we walked out of the palace and into the pleasant Egyptian winter sunlight in full view of all his subjects, who had also heard the deafening noise and had gathered to view the strange animal. Ankhesenpaaten followed at Father’s heels, not attempting to hide the smile on her face.

This day was the day that my father the Pharaoh Akhenaten acknowledged me as his rightful heir to the throne of Egypt. Me, Tutankhaten. However, this is not the main reason I remember this day.

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First Chapter Reveal: 'River Aria' by Joan Schweighardt


Genre: Historical fiction

Author: Joan Schweighardt

Website: www.joanschweighardt.com

Publisher: Five Directions Press

Purchase on Amazon

About the Book:

River Aria is narrated by Estela Hopper, who, as a ten-year-old girl living in the impoverished fishing village of Manaus, Brazil in the early 20th century, is offered a twist-of-fate opportunity to study opera with an esteemed voice instructor. During her years of instruction, Estela, who is talented, passionate and dramatic by nature, dreams of leaving Brazil to perform in New York. But as her beloved instructor is not able to convince the managers of the great Metropolitan Opera that they should bring on a mixed-race immigrant who grew up on the banks of the Amazon River to become an elite performer, Estela accepts what they do offer, a position in the sewing room, and leaves Brazil on a ship with her cousin JoJo in the year 1928.

The challenges that befall Estela and JoJo in New York are plentiful. Estela’s father, an Irish American who came to her village nearly twenty years earlier (at which time she was conceived), has a plan for what her life should look like once she is settled. Her relationship with JoJo changes drastically when he learns he was lied to about his own parentage, and again when he takes a dangerous job working for the owner of a speakeasy. And of course her personal challenges of finding some modicum of success in a place like New York are not only enormous but crushing to her once robust sense of self.


RIVER ARIA 

1

December 1928

When Tia Adriana’s tearful outbursts first began, JoJo thought it was because she would miss him so much. And surely that was part of it. But the bigger part was that she had lied to him, long ago when he was a little boy. And as there didn’t seem to be any harm in her deception at that time, as it made JoJo happy in fact to hear her build on it, Tia Adriana had done just that. She’d embellished her lie; like clay, she kneaded it and stretched it, working it until it was as high and as stalwart as the tall ships that sometimes came out of the night to rest in our harbor, until it was as vast and mysterious as the river itself. She even made it official, hauling it up the hill to The Superior Tribunal of Justice building to be recorded and made public for anyone who cared to see.


Many times in the weeks before JoJo and I left for New York, Tia Adriana tried to tell him the truth. But every time she opened her mouth, her effort turned to sobbing. Dropping her head into her hands, she would cry with abandon. And when JoJo crossed the room to lay his callused palm upon her heaving back, she would only cry harder.

She wept so much that not two weeks before our departure JoJo said he wouldn’t be coming with me after all, that he would rather stay in Manaus and live the life he had than break his mother’s heart. He made a joke of it; he said if his mother kept crying, the flooding that year would be twice as bad and everyone in the city would drown, and it would be on him, and he would be forever cursed and become a corpo-Seco when his days were up, a dry corpse, because the devil would return his soul and Earth would reject his flesh. He was joking, yes, but he was also toying with the idea of changing his mind.

It was then that the other two got involved, my mother, whose name was Bruna, and Tia Louisa, who were sisters—in heart if not in blood—to Tia Adriana, and to each other as well. “Is that what you want for your son?” Tia Louisa scolded when JoJo was not around. “You want your only child should grow up here, fishing for a living in a ghost town? Dwelling in a shack up on stilts and likely to flood anyway? Every day a sunrise and a sunset and barely anything worth noticing in between?” My mother would chirp in then, adding in her quiet way, her coarse fingers extending to cover Tia Adriana’s trembling wet hands, “Adriana, wasn’t it because you wanted more for him that you lied in the first place?”

The three of them would become philosophers once my mother and Tia Louisa had calmed Tia Adriana sufficiently that she could think past her grief. They weighed JoJo’s future, how it would unfold if he stayed in Manaus, and how it might unfold if he left. Would and might: they might as well have been weighing mud and air. Could he be happy, they asked themselves, eking out a living on the docks for the rest of his life? Blood and fish guts up to his elbows? Endless squabbles up on the hill trying to get the best price for his labors? Drawing his pictures on driftwood—because between us all we couldn’t keep him in good paper—or on the shells of eggs, or even our shabby furniture? 

Was that what was best for our beloved JoJo? Or was it the alternative that promised more? America! America! O my America! My new-found-land! In America he would be attending an art school—the grandest art school in the grandest city in that country—not because he, our JoJo, who had grown up ragged and shoeless, had ever even considered that he might travel to New York, but because a man by the name of Felix Black, the protégé of a famous American artist and a former teacher of art himself, had come to Manaus to study our decaying architecture some months ago. And as The Fates would have it, he wandered into Tia Louisa’s restaurant and saw JoJo sitting in the back booth with some paints he had paid for with money he’d made scrubbing decks on one of the locals’ boats, painting the young woman sitting across from him (me, as it happens) on a canvas so scruffy it could only have come from someone’s rubbish pile. Senhor Black watched for a long while and then bent over JoJo and whispered in his ear—startling our dearest JoJo because, except for his eye and his breath and the fingers holding his brush, he was barely there in his own body when he painted—to say that he was a benefactor at an art school far away in New York, and if JoJo were to come, he would help him to realize his full potential—a message I quickly translated as JoJo did not speak much English at that time. 

Mud or air? Foot-sucking muck from the bottom of the river or the breath of the heavens, sweet and suffused with bird song? Stinking dead fish or full potential?

We knew what was best for JoJo all right; and we knew that JoJo, who was fearless—though he could barely read or write—would never get an opportunity like this again. And as I would be traveling to New York too, what could be better than sending us off together, one to watch over the other? But the fact remained that Tia Adriana could not bring herself to tell him about her deception, and he could not be permitted to arrive in New York without knowing about it.

I didn’t know the lie was a lie myself until the week before our scheduled departure. Being more than a year younger than JoJo (and loose-lipped, if my mother and as tias could be believed), no one had been foolish enough to trust me to keep a secret of such consequence. I had even participated in the lie—albeit unwittingly—which was nearly as exciting to me as it was to JoJo. 

And so it was that when my aunts and Mamãe first began to look for ways to throw light on the truth, they didn’t include me in their conversations. But when they failed to find even a single solution, they called me into Tia Adriana’s shack and sat me down at the table and told me the whole long story from beginning to end. 

While they spoke, interrupting one another with details as was their way, I slouched in my chair and leaned back, until I was looking up at the ceiling. Our images were up there: Me and Tia Adriana and my dearest Mamãe, and Tia Louisa and Tia-Avó Nilza, who was Tia Adriana’s mother (and JoJo’s grandmother). Three years earlier, JoJo had painted all of us on a large rectangular ipe wood table top that Tia Louisa was throwing out from the restaurant because rain from the roof had leaked on it a time too many and it had begun to blister and crack. When JoJo claimed the piece of wood for himself, Tia Louisa scolded that his mother’s house was far too small to hang a thing that size. But then an out-of-towner who’d been listening to their conversation over a bowl of fish stew told JoJo about The Sistine Chapel, which JoJo had never heard of. And so impressed was JoJo with the stranger’s story of how the famous artist (Michelangelo, whom JoJo hadn’t heard of either) had come to paint on the ceiling of the Pope’s chapel, that JoJo decided he would nail his painting up on his mother’s ceiling, where no one could say it was in the way. And there it remained. But instead of scenes from the Bible depicting man’s fall from grace, JoJo had painted us floating through our labors, all smiling as if we were saints already—me and Tia Louisa at the restaurant, serving rowdy wage earners, and my mother and the others sitting shoulder to shoulder all in a row on the wooden bench outside Tia Adriana’s shack, repairing fishing nets and singing their favorite fados with strong voices and extravagant gestures.

Usually when I looked at the painting it was to marvel at how young I was back then, how much I’d changed. But now I was thinking that with the exception of myself, JoJo had unintentionally painted the very women who knew about the lie from the beginning, who had most probably helped to shape it, knowing them. I felt my face grow hot, with anger first and then with embarrassment and then with despair. And then Tia Louisa, who was just hoisting the story into the present, changed her tone and snapped, “Estela, are you listening to what we’re saying?”

I straightened at once.

“This is important, young lady, so please pay attention,” she said in Portuguese. She knew a little English, but we always spoke in our native tongue when we were all together. “Once you’re safe on the ship on your way to America, you need to tell JoJo about the lie—”

“And the truth it was meant to hide,” Tia Adriana broke in, nodding excitedly.

“And the truth it was meant to hide, yes.” Tia Louisa closed her eyes and sat in silence for a moment, perhaps in prayer. Then she went on. “You’ll be almost four weeks traveling, the two of you sharing a cabin. He’ll have nowhere to escape to! When you arrive in New York, we’ll want your full report, your letter saying he knows and has accepted…”

“And that he loves me…us…in spite of…,” Tia Adriana cried, her eyes filling with fresh tears.

I looked at their faces. Only my mother was leaning forward, waiting anxiously for me to respond. The other two trusted me better, especially Tia Louisa, who was sitting back now with her arms folded under her ample breasts.

I let them wait. I looked beyond them, at the cast iron skillets hanging from hooks over the wood stove, the clay dishes out on shelves, the cot in the corner where Tia Adriana slept, the old tin washtub in the opposite corner, the curtain—worn to gauze from years of handling—that separated the kitchen from the back room where Tia-Avó Nilza and Avô Davi (who was Nilza’s husband and JoJo’s grandfather) and JoJo slept. 

“Yes, of course,” I mumbled. 

They chuckled, all of them, with relief, and in that moment it occurred to me that I would have to lie to them, mamãe and as tias, in the event that JoJo was unforgiving. 



About the Author:

Joan Schweighardt is the author of River Aria, which is both a standalone novel and the third book in a trilogy, as well as other novels, nonfiction titles, and children’s books. She is also a freelance writer and ghostwriter.

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